The Photographic Society of Singapore, Singapore (PSS)
Chairman: Jack Goh, EFIAP, PPSA, GPU CR2, GPU APHRODITE, APSS, APSNJ
E-mail: [email protected]

Greek Artistic Photography, Greece (GAP)
Chairman: Manolis Metzakis, EFIAP/p, ESFIAP, GPU-ZEUS, GPU-CR5, QPSA, APSA
E-mail: [email protected]

Atlantic Institute of Photography, USA (AIP)
Chairman: Kah-Wai Lin, EPSA, SPSA, AFIAP, GPU-CR2, GPU-VIP2, GPU-APHRODITE
E-mail: [email protected]

• 4 Sections:
• Open Color (color only) PIDC
• Open Monochrome (monochrome only) PIDM
• Nature (color & monochrome) ND
• Photo Travel (color & monochrome) PTD

• Each participant can enter up to 4 images per section.

Closing Date: 26 June 2022
Judging Date: 2 – 3 July 2022
Notification Date: 17 July 2022
Catalog Upload Date: 21 August 2022
e-Exhibition Date: 23 August – 23 November 2022
Award Mailing Date: 31 August 2022

• Online entry only at http://www.pacificatlantic-photo.com/
• 1 section: US$30.00; 2 sections: US$35.00; 3 sections: US$42.00; 4 sections: US$48.00
• Payment by PayPal at exhibition website or PayPal to [email protected]
• Entries receive without fee will not be judged.
• Group entry with than 6 participants will receive 10% discount.

IMAGE AND ENTRY REQUIREMENTS This exhibition is open to anyone; however, an entry may be rejected when the Sponsor or the Exhibition Organizers, in their reasonable discretion, believes the entry does not conform to exhibition rules and these Conditions of Entry. Membership in any photographic organization is not required.

Sanctions: Entries will not be accepted from any entrant who is currently sanctioned by PSA.

PSA Star Ratings
To receive proper Star ratings credit from PSA, entrants must provide their names and country exactly the same in each exhibition. Aliases are not permitted. Please contact PSA in the event of name changes or relocating to another country. Using one’s name differently in different exhibition exposes the entrant to the risk that many of their acceptances may not be recognized by PSA Star Ratings

Image Creation
Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally.

Certification:
By virtue of submitting an image, the entrant certifies the work as his or her own (.Images may not incorporate elements produced by anyone else (for example: clip art, images or art by others downloaded from the Internet). Aliases are not allowed. The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. Note: Entrants who indicate that their images may not be reproduced or used “will not be eligible for awards” or inclusion in audio-visuals of the exhibition “and could be subject to disqualification” by the exhibition sponsors. The exhibition assumes no liability of any misuse of copyright

Alteration and Computer Generation Subject to Divisional restrictions (particularly Nature, Photo Travel, and Photojournalism) images may be altered, either electronically or otherwise, by the maker. Adjustments to enhance images or creatively modify images are allowed providing the underlying photograph is retained in a way that is obvious to the viewer. Images may not be constructed entirely with a computer, and must be the sole work of the author

Re-use of accepted images: Once an image has been accepted in this exhibition it may not be entered again in any future instances of this exhibition. It may, of course, be entered in any other PSA/FIAP recognised exhibitions but must always have the same title.


Entry: An Entry consists of, up to and including, four (4) images entered by a single entrant into the same Section. An entrant may only enter a specific Section once.

Titles:
Each image must have a unique title that is a description of the image. That unique title must be used for entry of that image or of an identical Image into any and all PSA-Recognized exhibitions. Titles must be 35 characters or fewer. No titles may be visible to the judges, and nothing in the image may identify the maker. Titles may not include file extensions such as .jpg or .jpeg (or any other camera capture filenames such as IMG 471). Titles may not consist of personal identifiers possibly augmented by a number; or include words such as “untitled” or “no title”. Titles may not consist solely of numbers unless those numbers are prominently contained within the image, such as a contestant number in a race.

Color and Monochrome:
Color and Monochrome images from the same capture that share substantial pictorial content in common will be considered the same image and must be given the same title.


The Exhibition will be conducted in accordance with the rules of the PSA and FIAP
An entrant’s images will not be presented to the judges consecutively. An entrant’s four images will be distributed throughout four rounds of judging in that section. Distribution of images will be in the same round order as submitted by the entrant.

An image may be entered in only one section.

Judging Methods:
 Remote on-line judging.
 Judges will use color-calibrated monitors.
 The computer monitors are capable of displaying images at 100% of the image resolution and that images will be displayed at exactly 100% of their resolution (that is, that the images will not be enlarged beyond their native resolution).

• Digital image format: JPEG, sRGB color profile, maximum image width (horizontal) is 1920 pixels and maximum image height (vertical) is 1080 pixels, maximum file size is 2 MB or less.
• All images will be displayed on the Sony Bravia Full HDTV for judging in the public.

THE PHOTOGRAPHIC SOCIETY OF SINGAPORE

Open Color
Koon Peng GOH (Singapore) [email protected]
Zee Kek HENG, EFAP/p, GMPSA/b, GPU-CR5 (Singapore) [email protected]
Leong Kiat LIM, EFIAP, MPSA, GPU-CR3, GPU-VIP1 (Singapore) [email protected]

Open Monochrome
Koon Peng GOH (Singapore) [email protected]
Zee Kek HENG, EFAP/p, GMPSA/b, GPU-CR5 (Singapore) [email protected]
Leong Kiat LIM, EFIAP, MPSA, GPU-CR3, GPU-VIP1v [email protected]

Nature
Kim Hui GOH, Hon EFIAP, AFIAP (Singapore) [email protected]
Thigh WANNA, EFIAP, MPSA, GPSA (Singapore) [email protected]
Michael EE, MFIAP, EFIAP, PPSA (Singapore) [email protected]

Photo Travel
Kim Hui GOH, Hon EFIAP, AFIAP (Singapore) [email protected]
Thigh WANNA, EFIAP, MPSA, GPSA (Singapore) [email protected]
Michael EE, MFIAP, EFIAP, PPSA (Singapore) [email protected]

GREEK ARTISTIC PHOTOGRAPHY, GREECE

Open Color
Papadakis George, EFIAP (Greece) [email protected]
Mamatzakis Panagiotis (Greece) [email protected]
Eleftheria Konsolaki, GPU-CR2, GPU-APHRODITE (Greece) [email protected]

Open Monochrome
Papadakis George, EFIAP (Greece) [email protected]
Mamatzakis Panagiotis (Greece) [email protected]
Eleftheria Konsolaki, GPU-CR2, GPU-APHRODITE (Greece) [email protected]

Nature
Papadakis George, EFIAP (Greece) [email protected]
Mamatzakis Panagiotis (Greece) [email protected]
Eleftheria Konsolaki, GPU-CR2, GPU-APHRODITE (Greece) [email protected]

Photo Travel
Papadakis George, EFIAP (Greece) [email protected]
Mamatzakis Panagiotis (Greece) [email protected]
Eleftheria Konsolaki, GPU-CR2, GPU-APHRODITE (Greece) [email protected]

ATLANTIC INSTITUTE OF PHOTOGRAPHY, USA

Open Color
Mohammad Ali Salim,
Rowshan Akhter
Trudy Runyan

Open Monochrome
Mohammad Ali Salim
Rowshan Akhter
Andrew Kurchey

Nature
Mohammad Ali Salim
Rick Mei
David Chow

Photo Travel
Rowshan Akhter
Rick Mei
David Chow

ACCEPTANCES

• The acceptances from this exhibition are eligible:
• PSA Star Rating and Who’s Who in PID Color (PID-C), PID Monochrome (PID-M), Nature Division (ND) and Photo Travel Division (PTD)
• FIAP distinctions
• GPU distinctions
• AIP distinctions

AWARDS

• Total of 365 awards include:
• 1 Best of Circuit – HPS Plaque
• 1 Best Club Plaque – Highest total score of a club top seven entrants
• 3 FIAP Blue Badge – Best Author (1 per judging)
• 12 PSA Gold (1 per section per judging)
• 12 FIAP Gold (1 per section per judging)
• 12 GPU Gold (1 per section per judging)
• 12 IAAP Gold (1 per section per judging)
• 12 PSS Gold (1 per section per judging)
• 12 GAP Gold (1 per section per judging)
• 12 AIP Gold (1 per section per judging)
• 12 PSS Silver (1 per section per judging)
• 12 GAP Silver (1 per section per judging)
• 12 AIP Silver (1 per section per judging)
• 12 PSS Bronze (1 per section per judging)
• 12 GAP Bronze (1 per section per judging)
• 12 AIP Bronze (1 per section per judging)
• 24 PSA Honor Mention Ribbon (2 per section per judging)
• 24 FIAP Honor Mention Ribbon (2 per section per judging)
• 24 GPU Honor Mention Ribbon (2 per section per judging)
• 24 IAAP Honor Mention Ribbon (2 per section per judging)
• 36 PSS Honor Mention Ribbon (3 per section per judging)
• 36 GAP Honor Mention Ribbon (3 per section per judging)
• 36 AIP Honor Mention Ribbon (3 per section per judging)

• Abbrev: PSA (Photographic Society of America), FIAP (International Federation of Photographic Art), GPU (Global Photographic Union), IAAP (International Association of Art Photographers), AIP (Atlantic Institute of Photography, USA), PSS (The Photographic Society of Singapore, Singapore), GAP (Greek Artistic Photography)

Statement on Subject Matter applicable to all sections

• The fundamental rule that must be observed at all times and applies to all sections offered in exhibitions with FIAP patronage or PSA recognition is that the welfare of living creatures is more important than any photograph. This means that practices such as baiting of subjects with a living creature and removal of birds from nests, for the purpose of obtaining a photograph, are highly unethical, and such photographs are not allowed in any exhibition with FIAP patronage or PSA recognition. Under no circumstances may a living creature be placed in a situation where it will be killed, injured or stressed for the purpose of obtaining a photograph. This rule applies regardless of whether or not the creature being killed, injured or stressed is visible in the captured image.
• There are also concerns about the use of aerial photography, drones, helicopters, low flying aircraft. These should not cause any interference with other individuals or animals which causes a disturbance in their normal activity or disrupt the way any individuals or animals interact with their environment.
• Entry in this exhibition is conditional on accepting these policies. The content of images must comply with these General Conditions and with the Division and Section definitions listed in these conditions. Images that - in the sole opinion of the judges or the Exhibition Organizers - do not comply, will be disqualified so the entrant may be aware of the problem when considering entry into other exhibitions with FIAP patronage/PSA recognition.
• Further details on the PSA's drone policy may be found at https://psa-photo.org/index.php?psa-policies#drone

PSA Monochrome Definition
• An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of grey which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, etc.) A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
• For the purpose of this exhibition, only greyscale images are allowed in monochrome sections. Toned images are not allowed

• Greyscale Monochrome images may be entered for Nature, Photojournalism and Photo Travel but toned images are not permitted for these sections.

PSA/FIAP Nature Definition
• Nature photography records all branches of natural history except anthropology and archaeology. This includes all aspects of the physical world, both animate and inanimate, that have not been made or modified by humans.
• Nature images must convey the truth of the scene that was photographed. A well-informed person should be able to identify the subject of the image and be satisfied that it has been presented honestly and that no unethical practices have been used to control the subject or capture the image. Images that directly or indirectly show any human activity that threatens the life or welfare of a living organism are not allowed.
• The most important part of a Nature image is the nature story it tells. High technical standards are expected and the image must look natural. Adding a vignette or blurring the background during processing is not allowed.
• Objects created by humans, and evidence of human activity, are allowed in Nature images only when they are a necessary part of the Nature story.
• Photographs of human-created hybrid plants, cultivated plants, feral animals, domesticated animals, human-created hybrid animals and mounted or preserved zoological specimens are not allowed.
• Images taken with subjects under controlled conditions, such as zoos, are allowed.
• Controlling live subjects by chilling, anaesthetic or any other method of restricting natural movement for the purpose of a photograph is not allowed.
• No modification that changes the truth of a Nature image is allowed. Images may be cropped but no other technique that removes, adds or moves any part of the image is allowed.
• Techniques that remove elements added by the camera, such as dust spots, digital noise and lens flare are allowed.
• Complete conversion of colour images to greyscale monochrome is allowed. Partial conversion, toning and infrared captures or conversions are not allowed.
• Images of the same subject that are combined in-camera or with software by focus stacking or exposure blending are allowed. Multiple images with overlapping fields of view that are taken consecutively and combined in-camera or with software (image stitching) are allowed.
• Attention is drawn to the PSA Statement on Subject Matter which applies to all sections

PSA/FIAP Nature Definition
• Nature photography records all branches of natural history except anthropology and archaeology. This includes all aspects of the physical world, both animate and inanimate, that have not been made or modified by humans.
• Nature images must convey the truth of the scene that was photographed. A well-informed person should be able to identify the subject of the image and be satisfied that it has been presented honestly and that no unethical practices have been used to control the subject or capture the image. Images that directly or indirectly show any human activity that threatens the life or welfare of a living organism are not allowed.
• The most important part of a Nature image is the nature story it tells. High technical standards are expected and the image must look natural. Adding a vignette or blurring the background during processing is not allowed.
• Objects created by humans, and evidence of human activity, are allowed in Nature images only when they are a necessary part of the Nature story.
• Photographs of human-created hybrid plants, cultivated plants, feral animals, domesticated animals, human-created hybrid animals and mounted or preserved zoological specimens are not allowed.
• Images taken with subjects under controlled conditions, such as zoos, are allowed.
• Controlling live subjects by chilling, anaesthetic or any other method of restricting natural movement for the purpose of a photograph is not allowed.
• No modification that changes the truth of a Nature image is allowed. Images may be cropped but no other technique that removes, adds or moves any part of the image is allowed.
• Techniques that remove elements added by the camera, such as dust spots, digital noise and lens flare are allowed.
• Complete conversion of colour images to greyscale monochrome is allowed. Partial conversion, toning and infrared captures or conversions are not allowed.
• Images of the same subject that are combined in-camera or with software by focus stacking or exposure blending are allowed. Multiple images with overlapping fields of view that are taken consecutively and combined in-camera or with software (image stitching) are allowed.
• Borders For the purpose of this exhibition any border added to a Nature digital file must be a single border of white or grey, no greater than 3 -5 pixels in width.
PSA Photo Travel Definition
• A Photo Travel image expresses the characteristic features or culture of a land as they are found naturally. There are no geographical limitations. Images from events or activities arranged specifically for photography, or of subjects directed or hired for photography are not permitted. Close up pictures of people or objects must include features that provide information about the location.
• Techniques that add, relocate, replace or remove any element of the original image, except by cropping, are not permitted. The only allowable adjustments are removal of dust or digital noise, restoration of the appearance of the original scene, and complete conversion to greyscale monochrome. Other derivations, including infrared, are not permitted. All images must look natural.

• Vignettes and Borders For the purpose of this exhibition vignettes are not allowed in Photo Travel Digital images. Any border added must be a single border of white or grey, no greater than 3 -5 pixels in width.

• Attention is drawn to the PSA Statement on Subject Matter which applies to all sections

REPORT CARD & CATALOG

• Results will be notified by email and all the judging results are final.
• Electronic catalog in PDF will be produced and available at the exhibition website for download.

EXHIBITION

• Awarded and accepted images will be exhibit on the exhibition website (http://www.pacificatlantic-photo.com/) from 23 August – 23 November 2022.
• Public showing of projected images will take place at Atlantic Institute of Photography, New Jersey, USA; Greek Artistic Photography, Iraklion, Greece; and The Photographic Society of Singapore, Singapore on 23 August – 27 August 2022.

General Chairman

Kah-Wai Lin, EPSA, SPSA, AFIAP, GPU-CR2, GPU-VIP2, GPU-APHRODITE
Website: http://www.pacificatlantic-photo.com/
E-mail: [email protected]