NAGRADE
OPEN [PIDC]
FOTOGRAFIJE
839 pristigle fotografije
284 primljene fotografije · 34%
UČESNICI
211 pristigli učesnici
158 primljeni učesnici · 75%
PSA Gold Medal
PSA Honorable Mention
PSA Honorable Mention
PSA Honorable Mention
IAAP Gold Medal
IAAP Ribbon
MOL Gold Medal
MOL Ribbon
MOL Ribbon
MOL Ribbon
SALON Gold Medal
SALON Silver Medal
SALON Bronze Medal
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
NAGRADE
OPEN [PIDM]
FOTOGRAFIJE
829 pristigle fotografije
273 primljene fotografije · 33%
UČESNICI
209 pristigli učesnici
156 primljeni učesnici · 75%
PSA Gold Medal
PSA Honorable Mention
PSA Honorable Mention
PSA Honorable Mention
IAAP Gold Medal
IAAP Ribbon
MOL Gold Medal
MOL Ribbon
MOL Ribbon
MOL Ribbon
SALON Gold Medal
SALON Silver Medal
SALON Bronze Medal
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
NAGRADE
PORTRAIT [PIDC]
FOTOGRAFIJE
626 pristigle fotografije
215 primljene fotografije · 34%
UČESNICI
158 pristigli učesnici
120 primljeni učesnici · 76%
PSA Gold Medal
PSA Honorable Mention
PSA Honorable Mention
PSA Honorable Mention
IAAP Gold Medal
IAAP Ribbon
MOL Gold Medal
MOL Ribbon
MOL Ribbon
MOL Ribbon
SALON Gold Medal
SALON Silver Medal
SALON Bronze Medal
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
NAGRADE
ARCHITECTURE [PIDC]
FOTOGRAFIJE
417 pristigle fotografije
141 primljene fotografije · 34%
UČESNICI
106 pristigli učesnici
72 primljeni učesnici · 68%
PSA Gold Medal
PSA Honorable Mention
PSA Honorable Mention
PSA Honorable Mention
IAAP Gold Medal
IAAP Ribbon
MOL Gold Medal
MOL Ribbon
MOL Ribbon
MOL Ribbon
SALON Gold Medal
SALON Silver Medal
SALON Bronze Medal
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
NAGRADE
NATURE [ND]
FOTOGRAFIJE
658 pristigle fotografije
230 primljene fotografije · 35%
UČESNICI
165 pristigli učesnici
123 primljeni učesnici · 75%
PSA Gold Medal
PSA Honorable Mention
PSA Honorable Mention
PSA Honorable Mention
IAAP Gold Medal
IAAP Ribbon
MOL Gold Medal
MOL Ribbon
MOL Ribbon
MOL Ribbon
SALON Gold Medal
SALON Silver Medal
SALON Bronze Medal
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
NAGRADE
WILDLIFE [ND]
FOTOGRAFIJE
440 pristigle fotografije
150 primljene fotografije · 34%
UČESNICI
111 pristigli učesnici
76 primljeni učesnici · 68%
PSA Gold Medal
PSA Honorable Mention
PSA Honorable Mention
PSA Honorable Mention
IAAP Gold Medal
IAAP Ribbon
MOL Gold Medal
MOL Ribbon
MOL Ribbon
MOL Ribbon
SALON Gold Medal
SALON Silver Medal
SALON Bronze Medal
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
NAGRADE
INSECTS [ND]
FOTOGRAFIJE
343 pristigle fotografije
120 primljene fotografije · 35%
UČESNICI
87 pristigli učesnici
60 primljeni učesnici · 69%
PSA Gold Medal
PSA Honorable Mention
PSA Honorable Mention
PSA Honorable Mention
IAAP Gold Medal
IAAP Ribbon
MOL Gold Medal
MOL Ribbon
MOL Ribbon
MOL Ribbon
SALON Gold Medal
SALON Silver Medal
SALON Bronze Medal
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
NAGRADE
TRAVEL [PTD]
FOTOGRAFIJE
728 pristigle fotografije
245 primljene fotografije · 34%
UČESNICI
182 pristigli učesnici
131 primljeni učesnici · 72%
PSA Gold Medal
PSA Honorable Mention
PSA Honorable Mention
PSA Honorable Mention
IAAP Gold Medal
IAAP Ribbon
MOL Gold Medal
MOL Ribbon
MOL Ribbon
MOL Ribbon
SALON Gold Medal
SALON Silver Medal
SALON Bronze Medal
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
NAGRADE
CITY LIFE [PTD]
FOTOGRAFIJE
504 pristigle fotografije
160 primljene fotografije · 32%
UČESNICI
126 pristigli učesnici
101 primljeni učesnici · 80%
PSA Gold Medal
PSA Honorable Mention
PSA Honorable Mention
PSA Honorable Mention
IAAP Gold Medal
IAAP Ribbon
MOL Gold Medal
MOL Ribbon
MOL Ribbon
MOL Ribbon
SALON Gold Medal
SALON Silver Medal
SALON Bronze Medal
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
NAGRADE
PEOPLE [PTD]
FOTOGRAFIJE
687 pristigle fotografije
232 primljene fotografije · 34%
UČESNICI
172 pristigli učesnici
126 primljeni učesnici · 73%
PSA Gold Medal
PSA Honorable Mention
PSA Honorable Mention
PSA Honorable Mention
IAAP Gold Medal
IAAP Ribbon
MOL Gold Medal
MOL Ribbon
MOL Ribbon
MOL Ribbon
SALON Gold Medal
SALON Silver Medal
SALON Bronze Medal
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
NAGRADE
PHOTOJOURNALISM [PJD]
FOTOGRAFIJE
555 pristigle fotografije
185 primljene fotografije · 33%
UČESNICI
139 pristigli učesnici
97 primljeni učesnici · 70%
PSA Gold Medal
PSA Honorable Mention
PSA Honorable Mention
PSA Honorable Mention
IAAP Gold Medal
IAAP Ribbon
MOL Gold Medal
MOL Ribbon
MOL Ribbon
MOL Ribbon
SALON Gold Medal
SALON Silver Medal
SALON Bronze Medal
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
NAGRADE
SPORT [PJD]
FOTOGRAFIJE
355 pristigle fotografije
120 primljene fotografije · 34%
UČESNICI
91 pristigli učesnici
61 primljeni učesnici · 67%
PSA Gold Medal
PSA Honorable Mention
PSA Honorable Mention
PSA Honorable Mention
IAAP Gold Medal
IAAP Ribbon
MOL Gold Medal
MOL Ribbon
MOL Ribbon
MOL Ribbon
SALON Gold Medal
SALON Silver Medal
SALON Bronze Medal
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
SALON Diploma
PRAVILA
ORGANIZATOR
Photo club Infinity, Bosnia and Herzegovina.
The Salon will be conducted in accordance with the requirements and practices of The Photographic Society of America (PSA)
Acceptances received by PSA members in approved sections of this exhibition are eligible for PSA Star Ratings, listing in the worldwide PSA Who’s Who of photography, and credited toward the PSA Distinctions PPSA and EPSA.
The Salon will be conducted in accordance with the requirements and practices of The Photographic Society of America (PSA)
Acceptances received by PSA members in approved sections of this exhibition are eligible for PSA Star Ratings, listing in the worldwide PSA Who’s Who of photography, and credited toward the PSA Distinctions PPSA and EPSA.
SEKCIJE
12 sections, all digital:
1. OPEN (color) PSA PID COLOR
2. OPEN (monochrome) PSA PID MONOCHROME
3. PORTRAIT (monochrome and color) PSA PID COLOR
4. ARCHITECTURE (monochrome and color) PSA PID COLOR
5. NATURE (monochrome and color) PSA ND
6. WILDLIFE (monochrome and color) PSA ND
7. INSECTS (monochrome and color) PSA ND
8. TRAVEL (monochrome and color) PSA PTD
9. CITY LIFE (monochrome and color) PSA PTD
10. PEOPLE (monochrome and color) PSA PTD
11. PHOTOJOURNALISM (monochrome and color) PSA PJD
12. SPORT (monochrome and color) PSA PJD
Each photo can be presented in only one section.
I. Acceptances in PID recognized Color sections shall be credited towards PID Color Star Ratings and Who’s Who Color listings. Monochrome images accepted in PID recognized Color sections shall only be credited towards PID Color Star Ratings.
II. Acceptances in PID recognized Monochrome sections shall be credited towards PID Monochrome Star Ratings and Who’s Who Monochrome listings.
III. All acceptance eligibility shall be in accordance with the PID Star Ratings or the Galaxy/Diamond Ratings requirements as appropriate.
1. OPEN (color) PSA PID COLOR
2. OPEN (monochrome) PSA PID MONOCHROME
3. PORTRAIT (monochrome and color) PSA PID COLOR
4. ARCHITECTURE (monochrome and color) PSA PID COLOR
5. NATURE (monochrome and color) PSA ND
6. WILDLIFE (monochrome and color) PSA ND
7. INSECTS (monochrome and color) PSA ND
8. TRAVEL (monochrome and color) PSA PTD
9. CITY LIFE (monochrome and color) PSA PTD
10. PEOPLE (monochrome and color) PSA PTD
11. PHOTOJOURNALISM (monochrome and color) PSA PJD
12. SPORT (monochrome and color) PSA PJD
Each photo can be presented in only one section.
I. Acceptances in PID recognized Color sections shall be credited towards PID Color Star Ratings and Who’s Who Color listings. Monochrome images accepted in PID recognized Color sections shall only be credited towards PID Color Star Ratings.
II. Acceptances in PID recognized Monochrome sections shall be credited towards PID Monochrome Star Ratings and Who’s Who Monochrome listings.
III. All acceptance eligibility shall be in accordance with the PID Star Ratings or the Galaxy/Diamond Ratings requirements as appropriate.
KALENDAR
Closing date: 03.08.2020
End judging: 24.08.2020
Notification date: 07.09.2020
Submit EDAS report: 23.09.2020
Delivery of the catalogues and awards to the authors by 08.11.2020.
PUBLIC SHOWINGS
1. 09.09.2020 at galerija PCI- Doboj and
2. 16.09.2020 at galerija Majna– Modrica.
End judging: 24.08.2020
Notification date: 07.09.2020
Submit EDAS report: 23.09.2020
Delivery of the catalogues and awards to the authors by 08.11.2020.
PUBLIC SHOWINGS
1. 09.09.2020 at galerija PCI- Doboj and
2. 16.09.2020 at galerija Majna– Modrica.
KOTIZACIJA
Depending of the number of sections participant applies, the fee cost as follow:
any 1, 2, 3 or 4 sections = 15 EUR (20$)
any 5, 6, 7 or 8 sections = 25 EUR (30$)
any 9, 10, 11 or 12 sections = 30 EUR (35$)
The fee can be paid via PayPal through our web site:
http://infinity.fotodoboj.com/ page: PAYMENT or just send fee to email: [email protected] via PayPal.
The fee can be paid via Skrill on email: [email protected]
The fee can be paid via SKRILL sending fee to email: [email protected]
Also the participation fee can be paid with Western Union on the following info:
Name: Oliver Vukmirovic; Address: Vidovdanska 15/8; City: Doboj; Country: Bosnia and Herzegovina
The fee can be also paid by postal mail along with the CD with photographs sent to the club address:
Oliver Vukmirovic (Photo club Infinity); Nikole Pasica 41; 74101 Doboj; Bosnia and Herzegovina
The works of the authors who did not pay the fee would not be taken into consideration.
any 1, 2, 3 or 4 sections = 15 EUR (20$)
any 5, 6, 7 or 8 sections = 25 EUR (30$)
any 9, 10, 11 or 12 sections = 30 EUR (35$)
The fee can be paid via PayPal through our web site:
http://infinity.fotodoboj.com/ page: PAYMENT or just send fee to email: [email protected] via PayPal.
The fee can be paid via Skrill on email: [email protected]
The fee can be paid via SKRILL sending fee to email: [email protected]
Also the participation fee can be paid with Western Union on the following info:
Name: Oliver Vukmirovic; Address: Vidovdanska 15/8; City: Doboj; Country: Bosnia and Herzegovina
The fee can be also paid by postal mail along with the CD with photographs sent to the club address:
Oliver Vukmirovic (Photo club Infinity); Nikole Pasica 41; 74101 Doboj; Bosnia and Herzegovina
The works of the authors who did not pay the fee would not be taken into consideration.
UČEŠĆE
The exhibition is open to anyone; however, an entry may be rejected when the sponsoring organization or its agent, in its reasonable discretion, believes the entry does not conform to the exhibition rules and conditions.
An entrant’s images will not be presented to the judges consecutively. An entrant’s four images will be distributed throughout four rounds of judging in that section. Distribution of images shall be in the same round order as submitted by the entrant.
Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his own (aliases are not permitted). The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. Note: Entrants who indicate that their images may not be reproduced or used “will not be eligible for awards” or inclusion in audio-visuals of the exhibition “and could be subject to disqualification” by the exhibition sponsors.
The exhibition assumes no liability of any misuse of copyright. Images may be altered, either electronically or otherwise, by the maker. Artwork or computer graphics created by the entrant may be incorporated provided the photographic content predominates, subject to Nature, Photo Travel and Photojournalism divisional restrictions. All final work must be on photographic film, or on electronic file, or on photographic or electronic print material, mounting excepted
No title or identification of the maker shall be visible anywhere on the face of an image, print mat or mount entered in a PSA Recognized exhibition.
Each image must have a unique title. Once an image has been accepted in a PSA Recognized exhibition, that same image, or a like “in camera” or a “reproduction” duplicate of that image.
i. may not be entered or re-entered in any section of the same Division Star Ratings class in that exhibition regardless of media, format, or title.
ii. may not be re-titled for entry in any other PSA Recognized exhibition, including translation into another language.
iii. images meeting the Monochrome Definition and non-manipulated color images from the same capture shall be considered the same image and must be given the same title.
iv. PSA members working on Galaxy and Diamond Star Ratings shall be allowed to continue using different titles of monochrome versions and color versions of the same capture that have already been accepted until the required number of acceptances for those titles have been completed.
Words such as “Untitled” and “No Title” are not acceptable as part or all of an image’s title, nor are camera capture filenames.
An image may be entered in only one section where acceptances of that image in multiple sections would be eligible for the same star path.
NOTICE: When an entrant fills in the Entry Form to submit an entry the entrant will see a feature to affirm he or she has read these Conditions of Entry when he or she fills out the entry form. If the entrant does not so affirm the entry will not be submitted.
BREACH OF CONDITIONS OF ENTRY
If, at any time, it is determined in the reasonable discretion of the exhibition organizer or the judges before, during, or after the judging of an exhibition that an entrant has submitted entries where one or more images may fail to comply with these Conditions of Entry, including the stated definitions, the exhibition organizers reserve the right to delete the entry from the exhibition and void any or all acceptances or awards in connection with the exhibition. Fees may be forfeited or refunded in these circumstances. The entrant acknowledges that the decision of the exhibition organizers or the judges is final
In order to ensure that images comply with the Conditions of Entry and definitions, the exhibition organizers may carry out reasonable measures to verify that:
a) the images are the original work of the entrant and
b) the images comply with the rules and definitions as set out in these Conditions of Entry
These steps include, but are not limited to, questioning any entrant, requiring the submission of RAW files or other digital files representing the original capture of the submitted image(s), confronting the entrant with evidence that one or more submitted images fails to comply with the Conditions of Entry (also known as Entry Rules), and offering the entrant a reasonable opportunity to provide counter evidence to refute the exhibition organizer’s evidence by a set deadline. Such entries that are not cleared or are still questionable after the entrant has presented evidence may be considered in breach of these Conditions of Entry, and declined. Such entries may be referred to PSA for further investigation of possible ethics violations
PSA retains the right to investigate in any way all complaints/suspicions of breaches of entry conditions, impose sanctions if deemed necessary, void the acceptances of any image found to violate the PSA rules, include the entrant’s name on the list of sanctions provided to Exhibitions, and share such investigations with FIAP. Entrants automatically agree to these terms by the act of entering the Exhibition and agree to cooperate with any investigation.
If another party is submitting images on the entrant’s behalf, the entrant will still be held responsible for adhering to these Conditions of Entry (Entry Rules) and will be subject to sanction for any violations to these Conditions of Entry and PSA’s Statement of Ethics that may result.
DATA PROTECTION
By entering this exhibition, you are explicitly consenting to the personal details you have supplied, including email addresses, being held, processed and used by the exhibition organizers for purposes associated with this exhibition. You also explicitly consent to such information being sent to organizations that have accorded official recognition, patronage or accreditation to this exhibition. You acknowledge and accept that entering this exhibition means that the status and results of your entry may be made public. Method of submitting entries and any specific format or title requirements.
An entrant’s images will not be presented to the judges consecutively. An entrant’s four images will be distributed throughout four rounds of judging in that section. Distribution of images shall be in the same round order as submitted by the entrant.
Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his own (aliases are not permitted). The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. Note: Entrants who indicate that their images may not be reproduced or used “will not be eligible for awards” or inclusion in audio-visuals of the exhibition “and could be subject to disqualification” by the exhibition sponsors.
The exhibition assumes no liability of any misuse of copyright. Images may be altered, either electronically or otherwise, by the maker. Artwork or computer graphics created by the entrant may be incorporated provided the photographic content predominates, subject to Nature, Photo Travel and Photojournalism divisional restrictions. All final work must be on photographic film, or on electronic file, or on photographic or electronic print material, mounting excepted
No title or identification of the maker shall be visible anywhere on the face of an image, print mat or mount entered in a PSA Recognized exhibition.
Each image must have a unique title. Once an image has been accepted in a PSA Recognized exhibition, that same image, or a like “in camera” or a “reproduction” duplicate of that image.
i. may not be entered or re-entered in any section of the same Division Star Ratings class in that exhibition regardless of media, format, or title.
ii. may not be re-titled for entry in any other PSA Recognized exhibition, including translation into another language.
iii. images meeting the Monochrome Definition and non-manipulated color images from the same capture shall be considered the same image and must be given the same title.
iv. PSA members working on Galaxy and Diamond Star Ratings shall be allowed to continue using different titles of monochrome versions and color versions of the same capture that have already been accepted until the required number of acceptances for those titles have been completed.
Words such as “Untitled” and “No Title” are not acceptable as part or all of an image’s title, nor are camera capture filenames.
An image may be entered in only one section where acceptances of that image in multiple sections would be eligible for the same star path.
NOTICE: When an entrant fills in the Entry Form to submit an entry the entrant will see a feature to affirm he or she has read these Conditions of Entry when he or she fills out the entry form. If the entrant does not so affirm the entry will not be submitted.
BREACH OF CONDITIONS OF ENTRY
If, at any time, it is determined in the reasonable discretion of the exhibition organizer or the judges before, during, or after the judging of an exhibition that an entrant has submitted entries where one or more images may fail to comply with these Conditions of Entry, including the stated definitions, the exhibition organizers reserve the right to delete the entry from the exhibition and void any or all acceptances or awards in connection with the exhibition. Fees may be forfeited or refunded in these circumstances. The entrant acknowledges that the decision of the exhibition organizers or the judges is final
In order to ensure that images comply with the Conditions of Entry and definitions, the exhibition organizers may carry out reasonable measures to verify that:
a) the images are the original work of the entrant and
b) the images comply with the rules and definitions as set out in these Conditions of Entry
These steps include, but are not limited to, questioning any entrant, requiring the submission of RAW files or other digital files representing the original capture of the submitted image(s), confronting the entrant with evidence that one or more submitted images fails to comply with the Conditions of Entry (also known as Entry Rules), and offering the entrant a reasonable opportunity to provide counter evidence to refute the exhibition organizer’s evidence by a set deadline. Such entries that are not cleared or are still questionable after the entrant has presented evidence may be considered in breach of these Conditions of Entry, and declined. Such entries may be referred to PSA for further investigation of possible ethics violations
PSA retains the right to investigate in any way all complaints/suspicions of breaches of entry conditions, impose sanctions if deemed necessary, void the acceptances of any image found to violate the PSA rules, include the entrant’s name on the list of sanctions provided to Exhibitions, and share such investigations with FIAP. Entrants automatically agree to these terms by the act of entering the Exhibition and agree to cooperate with any investigation.
If another party is submitting images on the entrant’s behalf, the entrant will still be held responsible for adhering to these Conditions of Entry (Entry Rules) and will be subject to sanction for any violations to these Conditions of Entry and PSA’s Statement of Ethics that may result.
DATA PROTECTION
By entering this exhibition, you are explicitly consenting to the personal details you have supplied, including email addresses, being held, processed and used by the exhibition organizers for purposes associated with this exhibition. You also explicitly consent to such information being sent to organizations that have accorded official recognition, patronage or accreditation to this exhibition. You acknowledge and accept that entering this exhibition means that the status and results of your entry may be made public. Method of submitting entries and any specific format or title requirements.
PRIJAVA
Photos must be in JPEG format, dimensions 1920 pixels by 1080 pixels max at 300 dpi, JPEG compression value (if Photoshop used for export): 7-12, file size maximum 3 Mb. No file naming is needed. Exhibitions using digital projection is judge the images as received from the photographer at 100% of the maximum permitted pixel size.
Digital images can not be altered, including resizing in either direction, by the exhibition or by the exhibition's equipment before or during judging.
The photographs of authors with the application are submitted in these ways:
- by e-mail: [email protected]
- uploading throw our web site: http://infinity.fotodoboj.com/
- on CD, along with the participation fee, use this postal address:
Oliver Vukmirovic (Photo club Infinity)
Vidovdanska 15/8.
74101 Doboj; Bosnia and Herzegovina
Digital images can not be altered, including resizing in either direction, by the exhibition or by the exhibition's equipment before or during judging.
The photographs of authors with the application are submitted in these ways:
- by e-mail: [email protected]
- uploading throw our web site: http://infinity.fotodoboj.com/
- on CD, along with the participation fee, use this postal address:
Oliver Vukmirovic (Photo club Infinity)
Vidovdanska 15/8.
74101 Doboj; Bosnia and Herzegovina
IDENTIFIKACIJA
Maximum number of photographs per theme is 4. No title or identification of the maker shall be written anywhere on the face of an image. An entrant’s four images will be distributed throughout four rounds of judging for that section, acceptance rate is 35% max. and target range for acceptance can be 29-35%.
Photographs must be sent in digital form, as a picture file with dimension 1920x1080pixels at 300 dpi. The exhibition is not allowed to resize the pictures sent by the entrants. The works will be shown on Full HD LED TV 43" with 1920x1080 resolution monitor. No file naming is needed. Maximum file size is 3 Mb.
Photographs must be sent in digital form, as a picture file with dimension 1920x1080pixels at 300 dpi. The exhibition is not allowed to resize the pictures sent by the entrants. The works will be shown on Full HD LED TV 43" with 1920x1080 resolution monitor. No file naming is needed. Maximum file size is 3 Mb.
ŽIRI
- Frank Hausdörfer, MPSA, C***MoL - Germany
- Jelica Milentijevic, AFIAP - Serbia
- Rongmao Yang, FAPU - China
- Jelica Milentijevic, AFIAP - Serbia
- Rongmao Yang, FAPU - China
NAGRADE
ALTOGETHER 216 AWARDS!!!
PSA Gold medal in each section (12 altogether)
+ 3 PSA honorable mention in each section (36 altogether)
IAAP medals (12 altogether)
+ IAAP honorable mention (12 altogether)
MoL Gold medal in each setion (12 altogether)
+ 3 MoL honorable mention (36 altogether)
Salon Gold, Silver and Bronze medal in each sections (36 altogether)
+ 5 x Salon Diploma in each section (60 altogether)
PSA Gold medal in each section (12 altogether)
+ 3 PSA honorable mention in each section (36 altogether)
IAAP medals (12 altogether)
+ IAAP honorable mention (12 altogether)
MoL Gold medal in each setion (12 altogether)
+ 3 MoL honorable mention (36 altogether)
Salon Gold, Silver and Bronze medal in each sections (36 altogether)
+ 5 x Salon Diploma in each section (60 altogether)
DEFINICIJE
PSA - Monochrome Photography
An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of gray which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, etc.) A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
Monochrome images may be entered in PID Color sections but if accepted will only be eligible towards PID Color Star Ratings.
PSA Nature Photography
Nature photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archeology, in such a fashion that a well-informed person will be able to identify the subject material and certify its honest presentation.
• The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality.
• Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces, like hurricanes or tidal waves.
• Scientific bands, scientific tags or radio collars on wild animals are permissible.
• Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement.
• No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted.
• Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning.
• Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed.
• Stitched images are not permitted.
• All images must appear natural.
• Color images can be converted to greyscale monochrome.
• Infrared images, either direct-captures or derivations, are not allowed.
• Images entered in Nature sections meeting the Nature Photography Definition above can have landscapes, geologic formations, weather phenomena, and extant organisms as the primary subject matter. This includes images taken with subjects in controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.
Images entered in Wildlife sections meeting the Nature Photography Definition above are further defined as one or more extant zoological or botanical organisms free and unrestrained in a natural or adopted habitat.
• Landscapes, geologic formations, photographs of zoo or game farm animals, or of any extant zoological or botanical species taken under controlled conditions are not eligible in Wildlife sections.
• Wildlife is not limited to mammals, birds and insects. Marine subjects and botanical subjects (including fungi and algae) taken in the wild are suitable wildlife subjects, as are carcasses of extant species.
PSA - Photojournalism Photography
Photojournalism entries shall consist of images with informative content and emotional impact, reflecting the human presence in our world. The journalistic (story-telling) value of the image shall receive priority over pictorial quality. In the interest of credibility, images that misrepresent the truth, such as those from events or activities specifically arranged for photography or of subjects directed or hired for photography, are not eligible.
Techniques that add, relocate, replace or remove any element of the original image, except by cropping, are not permitted. The only allowable modifications are removal of dust, scratches or digital noise, restoration of the existing appearance of the original scene, sharpening that is not obvious, and conversion to greyscale monochrome. Derivations, including infrared, are not eligible. All images must appear natural..
PSA - Travel Photography
A Photo Travel image expresses the characteristic features or culture of a land as they are found naturally. There are no geographical limitations. Images from events or activities arranged specifically for photography, or of subjects directed or hired for photography are not appropriate, Close up pictures of people or objects must include features that provide information about the environment.
Techniques that add, relocate, replace or remove any element of the original image, except by cropping, are not permitted. The only allowable adjustments are removal of dust or digital noise, restoration of the appearance of the original scene, and complete conversion to greyscale monochrome. Other derivations, including infrared, are not permitted. All images must look natural.
An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of gray which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, etc.) A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
Monochrome images may be entered in PID Color sections but if accepted will only be eligible towards PID Color Star Ratings.
PSA Nature Photography
Nature photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archeology, in such a fashion that a well-informed person will be able to identify the subject material and certify its honest presentation.
• The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality.
• Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces, like hurricanes or tidal waves.
• Scientific bands, scientific tags or radio collars on wild animals are permissible.
• Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement.
• No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted.
• Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning.
• Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed.
• Stitched images are not permitted.
• All images must appear natural.
• Color images can be converted to greyscale monochrome.
• Infrared images, either direct-captures or derivations, are not allowed.
• Images entered in Nature sections meeting the Nature Photography Definition above can have landscapes, geologic formations, weather phenomena, and extant organisms as the primary subject matter. This includes images taken with subjects in controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.
Images entered in Wildlife sections meeting the Nature Photography Definition above are further defined as one or more extant zoological or botanical organisms free and unrestrained in a natural or adopted habitat.
• Landscapes, geologic formations, photographs of zoo or game farm animals, or of any extant zoological or botanical species taken under controlled conditions are not eligible in Wildlife sections.
• Wildlife is not limited to mammals, birds and insects. Marine subjects and botanical subjects (including fungi and algae) taken in the wild are suitable wildlife subjects, as are carcasses of extant species.
PSA - Photojournalism Photography
Photojournalism entries shall consist of images with informative content and emotional impact, reflecting the human presence in our world. The journalistic (story-telling) value of the image shall receive priority over pictorial quality. In the interest of credibility, images that misrepresent the truth, such as those from events or activities specifically arranged for photography or of subjects directed or hired for photography, are not eligible.
Techniques that add, relocate, replace or remove any element of the original image, except by cropping, are not permitted. The only allowable modifications are removal of dust, scratches or digital noise, restoration of the existing appearance of the original scene, sharpening that is not obvious, and conversion to greyscale monochrome. Derivations, including infrared, are not eligible. All images must appear natural..
PSA - Travel Photography
A Photo Travel image expresses the characteristic features or culture of a land as they are found naturally. There are no geographical limitations. Images from events or activities arranged specifically for photography, or of subjects directed or hired for photography are not appropriate, Close up pictures of people or objects must include features that provide information about the environment.
Techniques that add, relocate, replace or remove any element of the original image, except by cropping, are not permitted. The only allowable adjustments are removal of dust or digital noise, restoration of the appearance of the original scene, and complete conversion to greyscale monochrome. Other derivations, including infrared, are not permitted. All images must look natural.
OBAVJEŠTENJE I KATALOG
All participants will receive report card notifications via e-mail. The results of the exhibition will also be published on the website http://infinity.fotodoboj.com/
CATALOG
PDF Downloadable from web site by exhibitors.
CATALOG
PDF Downloadable from web site by exhibitors.
KONTAKT
Chairman: Oliver Vukmirovic
e-mail: [email protected]
Vidovdanska 15/8.
74000 Doboj; Bosnia and Herzegovina
e-mail: [email protected]
Vidovdanska 15/8.
74000 Doboj; Bosnia and Herzegovina
KALENDAR
zatvaranje
žiriranje
obavještenje
isporuka
PREGLED
učesnici
265
fotografije
6981
države
49
kotizacija
15 EUR
članovi IAAP dobijaju 50% popust
NAGRADE
nagrade
216
medalje
72
diplome
144
PATRONATNI BROJ
IAAP
PSA
MOL
IAAP
PSA
MOL
CLUB
SEKCIJE
Open
Open
Portrait
Architecture
Nature
Wildlife
Insects
Travel
City Life
People
Photojournalism
Sport
ŽIRI