NAGRADE
open monochrome [PIDM]
FOTOGRAFIJE
494 pristigle fotografije
151 primljene fotografije · 31%
UČESNICI
124 pristigli učesnici
73 primljeni učesnici · 59%
PSA Gold Medal
IAAP Gold Medal
IAAP Ribbon
IAAP Ribbon
NAGRADE
open color [PIDC]
FOTOGRAFIJE
500 pristigle fotografije
126 primljene fotografije · 25%
UČESNICI
126 pristigli učesnici
65 primljeni učesnici · 52%
PSA Gold Medal
IAAP Gold Medal
IAAP Ribbon
IAAP Ribbon
NAGRADE
nature [ND]
FOTOGRAFIJE
449 pristigle fotografije
155 primljene fotografije · 35%
UČESNICI
114 pristigli učesnici
73 primljeni učesnici · 64%
PSA Gold Medal
IAAP Gold Medal
IAAP Ribbon
IAAP Ribbon
PRAVILA
ORGANIZATOR
PreFOTO International is international contest of art photography, organized by PreFOTO from Preshevo, Serbia.
SEKCIJE
The contest is divided into following sections:
open monochrome
open color
nature
open monochrome
open color
nature
KALENDAR
Closing date: 11 October 2020
Judging date: 18 October 2020
Notification date: 25 October 2020
Delivery date: 31 November 2020
Judging date: 18 October 2020
Notification date: 25 October 2020
Delivery date: 31 November 2020
KOTIZACIJA
Entry fee for any number of sections and any number of images costs 10 euros
UČEŠĆE
The contest is open to anyone (amateur and professional photographers from all over the world); however, an entry may be rejected when the sponsoring organization or its agent, in its reasonable discretion, believes the entry does not conform to the contest rules and conditions.
Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his own (aliases are not permitted). The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. Note: Entrants who indicate that their images may not be reproduced or used “will not be eligible for awards” or inclusion in audio-visuals of the exhibition “and could be subject to disqualification” by the exhibition sponsors.
By submitting an entry, the entrant certifies legal Age, and own all rights to these images, including copyright or parents or guardians gives permission on his/her behalf if he/she is not of Legal Age. The exhibition assumes no liability of any misuse of copyright. Images may be altered, either electronically or otherwise, by the maker. All final work must be on photographic film, or on electronic file, or on photographic or electronic print material, mounting excepted.
No title or identification of the maker shall be visible anywhere on the face of an image, print mat or mount.
Each image must have a unique title. Once an image has been accepted in a PSA Recognized exhibition, that same image, or a like “in camera” or a “reproduction” duplicate of that image:
i. May not be entered or re-entered in any section of the same Division Star Ratings class in that exhibition regardless of media, format, or title.
ii. May not be re-titled for entry in any other PSA Recognized exhibition, including translation into another language.
Words such as “Untitled” and “No Title” are not acceptable as part or all of an image’s title, nor are camera capture filenames.
An image may be entered in only one section where acceptances of that image in multiple sections would be eligible for the same star path.
An entrant’s images will not be presented to the judges consecutively. An entrant’s four images will be distributed throughout four rounds of judging in that section. Distribution of images shall be in the same round order as submitted by the entrant.
Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his own (aliases are not permitted). The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. Note: Entrants who indicate that their images may not be reproduced or used “will not be eligible for awards” or inclusion in audio-visuals of the exhibition “and could be subject to disqualification” by the exhibition sponsors.
By submitting an entry, the entrant certifies legal Age, and own all rights to these images, including copyright or parents or guardians gives permission on his/her behalf if he/she is not of Legal Age. The exhibition assumes no liability of any misuse of copyright. Images may be altered, either electronically or otherwise, by the maker. All final work must be on photographic film, or on electronic file, or on photographic or electronic print material, mounting excepted.
No title or identification of the maker shall be visible anywhere on the face of an image, print mat or mount.
Each image must have a unique title. Once an image has been accepted in a PSA Recognized exhibition, that same image, or a like “in camera” or a “reproduction” duplicate of that image:
i. May not be entered or re-entered in any section of the same Division Star Ratings class in that exhibition regardless of media, format, or title.
ii. May not be re-titled for entry in any other PSA Recognized exhibition, including translation into another language.
Words such as “Untitled” and “No Title” are not acceptable as part or all of an image’s title, nor are camera capture filenames.
An image may be entered in only one section where acceptances of that image in multiple sections would be eligible for the same star path.
An entrant’s images will not be presented to the judges consecutively. An entrant’s four images will be distributed throughout four rounds of judging in that section. Distribution of images shall be in the same round order as submitted by the entrant.
PRIJAVA
Photographs must be in JPEG format, with dimensions 1920x1080 pixels at 300, JPEG compression (if Photoshop used for export): 7-12, file size maximum 4 Mb. No file naming is needed.
Digital images cannot be altered, including resizing in either direction, by the exhibition or by the exhibitions equipment before or during judging.
The photographs of authors with the application are submitted in these ways:
- uploading thought our web site
- by e-mail: [email protected]
NOTICE: When an entrant fills in the Entry Form to submit an entry the entrant will see a feature to affirm he or she has read these Conditions of Entry when he or she fills out the entry form. If the entrant does not so affirm the entry will not be submitted.
Digital images cannot be altered, including resizing in either direction, by the exhibition or by the exhibitions equipment before or during judging.
The photographs of authors with the application are submitted in these ways:
- uploading thought our web site
- by e-mail: [email protected]
NOTICE: When an entrant fills in the Entry Form to submit an entry the entrant will see a feature to affirm he or she has read these Conditions of Entry when he or she fills out the entry form. If the entrant does not so affirm the entry will not be submitted.
IDENTIFIKACIJA
To participate at this contest entrants will apply with black white or color works. Maximum number of photographs per section is 4. No title or identification of the maker shall be written anywhere on the face of an image.
Photographs must be sent in digital form, as a picture file with dimension 1920x1080 pixels at 300 dpi. The contest is not allowed to resize the pictures sent by the entrants. The works will be projected on projector ???. No file naming is needed. Maximum file size is 4 Mb.
Photographs must be sent in digital form, as a picture file with dimension 1920x1080 pixels at 300 dpi. The contest is not allowed to resize the pictures sent by the entrants. The works will be projected on projector ???. No file naming is needed. Maximum file size is 4 Mb.
ŽIRI
Anke Lengwenus (Switzerland)
Ovi D. Pop (Romania)
Xhafer Xeka (Albania)
Ovi D. Pop (Romania)
Xhafer Xeka (Albania)
NAGRADE
The judges of the contest will give following awards:
3 x PSA Gold Medal,
3 x IAAP Gold Medal, 6 x IAAP Ribbon,
Total 12 awards. The organizer reserves the right to change the number of awards, depending on the total number of the entrants.
3 x PSA Gold Medal,
3 x IAAP Gold Medal, 6 x IAAP Ribbon,
Total 12 awards. The organizer reserves the right to change the number of awards, depending on the total number of the entrants.
DEFINICIJE
All entries shall conform to the stricter of these definitions for acceptances to be validated by all the International Organizations granting recognition or patronage.
[MONOCRHOME]
An image is considered to be monochrome only if it gives the impression of having no color (i.e. contains only shades of gray which can include pure black and pure white), or it gives the impression of being a gray-scale image that has been toned in one color across the entire image, example by sepia, red, gold, etc. A gray-scale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
A black and white work fitting from the very dark gray (black) to the very clear gray (white) is a monochrome work with the various shades of gray.
A black and white work toned entirely in a single color will remain a monochrome work able to stand in the black and white category; such a work can be reproduced in black and white in the catalog of a salon under FIAP Patronage.
On the other hand a black and white work modified by a partial toning or by the addition of one color becomes a color work (polychrome) to stand in the color category; such a work requires color reproduction in the catalog of a salon under FIAP Patronage.
[NATURE]
Nature photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archeology, in such a fashion that a well-informed person will be able to identify the subject material and certify its honest presentation.
• The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality.
• Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces, like hurricanes or tidal waves.
• Scientific bands, scientific tags or radio collars on wild animals are permissible.
• Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement.
• No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted.
• Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning.
• Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed.
• Stitched images are not permitted.
• All images must appear natural.
• Color images can be converted to gray-scale monochrome.
• Infrared images, either direct-captures or derivations, are not allowed.
• Images entered in Nature sections meeting the Nature Photography Definition above can have landscapes, geologic formations, weather phenomena, and extant organisms as the primary subject matter. This includes images taken with subjects in controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.
[MONOCRHOME]
An image is considered to be monochrome only if it gives the impression of having no color (i.e. contains only shades of gray which can include pure black and pure white), or it gives the impression of being a gray-scale image that has been toned in one color across the entire image, example by sepia, red, gold, etc. A gray-scale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
A black and white work fitting from the very dark gray (black) to the very clear gray (white) is a monochrome work with the various shades of gray.
A black and white work toned entirely in a single color will remain a monochrome work able to stand in the black and white category; such a work can be reproduced in black and white in the catalog of a salon under FIAP Patronage.
On the other hand a black and white work modified by a partial toning or by the addition of one color becomes a color work (polychrome) to stand in the color category; such a work requires color reproduction in the catalog of a salon under FIAP Patronage.
[NATURE]
Nature photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archeology, in such a fashion that a well-informed person will be able to identify the subject material and certify its honest presentation.
• The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality.
• Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces, like hurricanes or tidal waves.
• Scientific bands, scientific tags or radio collars on wild animals are permissible.
• Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement.
• No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted.
• Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning.
• Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed.
• Stitched images are not permitted.
• All images must appear natural.
• Color images can be converted to gray-scale monochrome.
• Infrared images, either direct-captures or derivations, are not allowed.
• Images entered in Nature sections meeting the Nature Photography Definition above can have landscapes, geologic formations, weather phenomena, and extant organisms as the primary subject matter. This includes images taken with subjects in controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.
OBAVJEŠTENJE I KATALOG
Notification cards will be sent by email.
All entrants of the contest (participants which submitted works and paid entry fee) will receive on-line PDF catalog of the photo contest.
The organizer will take all possible care while handling the emails, awards and catalogs, however will assume no liability for damages and loses during shipment.
All entrants of the contest (participants which submitted works and paid entry fee) will receive on-line PDF catalog of the photo contest.
The organizer will take all possible care while handling the emails, awards and catalogs, however will assume no liability for damages and loses during shipment.
KONTAKT
mr Edon Agushi
D. I. Tojoga 15 17523, Preshevo, Serbia
email: [email protected]
website: www.prefoto.org
D. I. Tojoga 15 17523, Preshevo, Serbia
email: [email protected]
website: www.prefoto.org
KALENDAR
zatvaranje
žiriranje
obavještenje
isporuka
PREGLED
učesnici
131
fotografije
1443
države
45
kotizacija
10 EUR
članovi IAAP dobijaju 50% popust
NAGRADE
nagrade
12
medalje
6
diplome
6
PATRONATNI BROJ
IAAP
PSA
IAAP
PSA
SEKCIJE
Open Monochrome
Open Color
Nature
ŽIRI