The PhotoArt PRAGUE International Salon is exhibition of art photography organised by PhotoArt magazine from Prague, Czech Republic.

The PhotoArt PRAGUE International Salon is divided in 6 sections, all digital:
&nbsp&nbsp&nbsp&nbsp <b>1 • OPEN Monochome / PSA PID mono</b>
&nbsp&nbsp&nbsp&nbsp <b>2 • OPEN Color / PSA PID color</b>
&nbsp&nbsp&nbsp&nbsp <b>3 • NATURE / PSA ND</b>
&nbsp&nbsp&nbsp&nbsp <b>4 • TRAVEL / PSA PTD</b>
&nbsp&nbsp&nbsp&nbsp <b>5 • PORTRAIT / PSA PID color</b>
&nbsp&nbsp&nbsp&nbsp <b>6 • PHOTOJOURNALISM / PSA PJ</b>

<b>Closing date: 22.01.2018</b>
<b>Judging: 26.-28.01.2018</b>
<b>Notification: 10.02.2018</b>
<b>Exhibition date: 01.-30.04. 2018 at Frantiscerian monastery, Prague, Czech republic</b>
<b>Delivery of the catalogues and awards to the authors by May 2018.</b>

Participation fee is mandatory for all participants and it is EUR 20 for first section and additional EUR 5 for next section.

<b>The fee can be paid:</b>
• via PayPal through our web site: //http://salon.photoart.cz/ In case of any problem contact us for more information.
• by postal mail along with the CD with photographs sent to the address:
PhotoArt PRAGUE, Na Vrsku 271, Sulice 251 68, Czech Republic
• by bank tranfer:
&nbsp&nbsp&nbsp&nbsp For Czech entrance, c.u.: 51-37 033 30 237 / 0100 - platby v CZK (kurz ČNB)
&nbsp&nbsp&nbsp&nbsp For Slovakian entrance, c.u.: 2947 0024 70 / Tatrabanka, a.s.
&nbsp&nbsp&nbsp&nbsp For Ukrainian entrance: ПРИВАТ БАНК 6762 4683 0309 1775 Харват О. М. - еквівалент в гривнях
&nbsp&nbsp&nbsp&nbsp For EUR: Tatrabanka, IBAN code: SK67 1100 0000 0029 4700 2470, SWIFT code: TATR SK BX
• online via VISA / Master Card on the website http://photoart.cz/eshop.en.php.
Please write „PA PRAGUE 2018“ and name of participant in description field.
The works of the authors who did not pay the fee would not be taken into consideration.

The photo salon is open to amateur and professional photographers from all over the world.
Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his own and permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. The exhibition assumes no liability for any misuse of copyright. An entry may be rejected when the sponsoring organization or its agent, in its reasonable discretion, believes the entry does not conform to exhibition rules and conditions. The exhibition is open to anyone; however, an entry may be rejected when the sponsoring organization or its agent, in its reasonable discretion, believes the entry does not conform to the exhibition rules and conditions.
There are no restrictions as to subject matter except as outlined in the rules and definitions of specific sections, or specified by law in the country where the exhibition is held. Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his own (aliases are not permitted). The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. Note: Entrants who indicate that their images may not be reproduced or used “will not be eligible for awards” or inclusion in audio-visuals of the exhibition “and could be subject to disqualification” by the exhibition sponsors. The exhibition assumes no liability of any misuse of copyright. Images may be altered, either electronically or otherwise, by the maker. All final work must be on photographic film, or on electronic file, or on photographic or electronic print material, mounting excepted. With the sole act of submitting his/her images or files to a salon under FIAP Patronage, the entrant accepts without exception and with no objection that the submitted images can be investigated by FIAP to establish if these obey to FIAP regulations and definitions even if the entrant is not a member of FIAP; that FIAP will use any means at its disposal for this undertaking; that any refusal to cooperate with FIAP or any refusal to submit the original files as captured by the camera, or failure to provide sufficient evidence, will be sanctioned by FIAP and that in case of sanctions following the non compliance with FIAP regulations, the name of the entrant will be released in any form useful to inform the breaches of the rules. It is recommended to leave the EXIF data in the submitted files intact in order to ease eventual investigations.”

The photographs of authors with the application are submitted in these ways:
• uploading through our web site: http://salon.photoart.cz/index.php (Entry form filled online)
• by e-mail: [email protected] (along with filled and signed scan copy of entry form)
• on CD, along with the participation fee and filled and signed entry form, use this postal address:
&nbsp&nbsp&nbsp&nbsp <b>PhotoArt magazine</b>
&nbsp&nbsp&nbsp&nbsp Na Vrsku 271, Sulice 251 68, Czech Republic

To participate at PhotoArt PRAGUE International Salon authors will apply with black & white or color works.
Maximum number of photographs per theme is 4. No title or identification of the maker shall be written anywhere on the face of an image. An entrant’s four images will be distributed throughout four rounds of judging in that section. Entry form and contact info must be written in one of the official FIAP languages. Photographs are sent in digital form, as a picture file with maximum dimensions of 2500x1400pixels at 300 dpi. Judges will use monitors 27“ EIZO CX270-BK EcoView with 2560x1440 pix resolution.
No file naming is needed. Each photo needs to have its own title. The titles cannot be repeated.

Ioannis LYKOURIS, MFIAP, Hon.EFIAP (Greece)
Andrey YURLOV, EFIAP (Slovakia)
Alexandr KHARVAT, EFIAP (Ukraine)
Roman SUDOMA, AFIAP (Chech Republic)
Jozef DANYI, EFIAP (Chech Republic)

At PhotoART PRAGUE International Salon there will be awarded:
FIAP BEST AUTHOR - FIAP blue pin and HPS Apollo Statue
6 x FIAP Gold, Silver and Bronze medal and 36x blue ribbons,
6 x IAAP Gold, 1 x Silver and 1 x Bronze medal and 6 ribbons,
6 x GPU Gold medal and 12x GPU Ribbons
6 x HPS Gold medals and 4 HPS Ribbons
6 x CFFU Gold, Silver and Bronze medal.

PSA Definition of a <b>Monochrome</b> image for any monochrome sections recognized by the PSA Projected Image Division or the PSA Pictorial Print Division. An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of gray which can include pure black and pure white) OR it gives the impression of being a grayscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, etc.) A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
<b>Nature</b> photography is restricted to the use of the photographic process to depict all branches of natural history, except anthropology and archeology, in such a fashion that a well-informed person will be able to identify the subject material and certify its honest presentation.
• The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality.
Conditions of Entry Checklist
• Human elements shall not be present, except where those human elements are integral parts of the nature story such as nature subjects, like barn owls or storks, adapted to an environment modified by humans, or where those human elements are in situations depicting natural forces, like hurricanes or tidal waves.
• Scientific bands, scientific tags or radio collars on wild animals are permissible.
• Photographs of human created hybrid plants, cultivated plants, feral animals, domestic animals, or mounted specimens are ineligible, as is any form of manipulation that alters the truth of the photographic statement.
• No techniques that add, relocate, replace, or remove pictorial elements except by cropping are permitted.
• Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content, or without altering the content of the original scene, are permitted including HDR, focus stacking and dodging/burning.
• Techniques that remove elements added by the camera, such as dust spots, digital noise, and film scratches, are allowed.
• Stitched images are not permitted.
• All allowed adjustments must appear natural.
• Color images can be converted to greyscale monochrome.
• Infrared images, either direct-captures or derivations, are not allowed.
Images entered in Nature sections meeting the Nature Photography Definition above can have landscapes, geologic formations, weather phenomena, and extant organisms as the primary subject matter. This includes images taken with subjects in controlled conditions, such as zoos, game farms, botanical gardens, aquariums and any enclosure where the subjects are totally dependent on man for food.
A <b>Photo Travel</b> image expresses the characteristic features or culture of a land as they are found naturally. There are no geographic limitations. Images from events or activities arranged specifically for photography, or of subjects directed or hired for photography are not appropriate. Close up pictures of people or objects must include features that provide information about the environment. Techniques that add, relocate, replace or remove any element of the original image, except by cropping, are not permitted. The only allowable adjustments are removal of dust or digital noise, restoration of the appearance of the original scene, and complete conversion to greyscale monochrome. Other derivations, including infrared, are not permitted. All allowed adjustments must appear natural.
<b>Portrait</b> is photography of a person or group of people that displays the expression, personality, and mood of the subject. Like other types of portraiture, the focus of the photograph is usually the person‘s face, although the entire body and the background or context may be included. Both monochrome and colour submissions are acceptable, as well as manipulated images.
<b>Phtojournalism</b> entries shall consist of images with informative content and emotional impact, reflecting the human presence in our world. The journalistic (story-telling) value of the image shall receive priority over pictorial quality. In the interest of credibility, images that misrepresent the truth, such as those from events or activities specifically arranged for photography or of subjects directed or hired for photography, are not eligible. Techniques that add, relocate, replace or remove any element of the original image, except by cropping, are not permitted. The only allowable modifications are removal of dust, scratches or digital noise, restoration of the existing appearance of the original scene, sharpening that is not obvious, and conversion to greyscale monochrome. Derivations, including infrared, are not eligible.

Notification cards will be sent by email.
All participants of the competition (the authors which submitted works and paid the participation fee) will receive printed catalogue of the photo salon. Extra catalogues are also available at an extra fee of 10 euro. The organizer will take all possible care while handling the email, awards and catalogues, however we assume no liability for damages and loses during shipment.

Contact person: Mr. Garik Avanesian, MFIAP, e-mail: <b>[email protected]</b>