ORGANIZER
STORIES IN FRAMES is international contest of art photography, organized by PG OUT OF CONCEPT from Belgrade, Serbia.

The contest is divided into the following sections:

• CONCEPTUAL
• CLOSE-UP
• GEOMETRIC SHAPES
• STILL LIFE
• CULTURE
• LOVE
• PORTRAITS
• CITY LIFE
• PHOTOJOURNALISM
• ANIMALS
• OPEN COLOR
• OPEN MONOCHROME

Closing date: May 12 2025
Judging date: May 24 2025
Notification date: June 10 2025
Delivery date: June 06 2025
Gallery publish date: June 15 2025

The entry fee depends on the number of sections the participant enters. The fees are as follows:
• 3 sections = 5 EUR
• 6 sections = 9 EUR
• 9 sections = 12 EUR
• 12 sections = 15 EUR

The entry fee can be paid in the following ways:
• through our website: https://theiaap.com/e/concept
• PAYPAL ACCOUNT: [email protected]
• BANK PAYMENTS: Svorcan Jovan 265-5283499-86 svrha uplate "OOC"

Za FSS članove i srpske autore kotizacija je 1200,00 din sve sekcije.
Bankarski račun: Svorcan Jovan 265-5283499-86 Raiffeisen Bank. Svrha uplate „OOC“. Po uplati je poželjno dostaviti potvrdu o uplati na email [email protected]


Images from participants who have not paid the entry fee will not be considered.

The contest is open to anyone (amateur and professional photographers from all over the world); however, an entry may be rejected when the sponsoring organization or its agent, in its reasonable discretion, believes the entry does not conform to the contest rules and conditions.
Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the image as his own (aliases are not permitted). The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. Note: Entrants who indicate that their images may not be reproduced or used 'will not be eligible for awards' or inclusion in audio-visuals of the exhibition 'and could be subject to disqualification' by the exhibition sponsors.
By submitting an entry, the entrant certifies legal Age, and own all rights to these images, including copyright or parents or guardians gives permission on his/her behalf if he/she is not of Legal Age. The exhibition assumes no liability of any misuse of copyright. Images may be altered, either electronically or otherwise, by the maker. All final image must be on photographic film, or on electronic file, or on photographic or electronic print material, mounting excepted.
No title or identification of the maker shall be visible anywhere on the face of an image, print mat or mount.

Photographs must be in JPEG format, with dimensions 1920x1080 pixels at 300, JPEG compression (if Photoshop used for export): 7-12, file size maximum 4 Mb. Each image must have a unique title. Titles must not include file extensions such as .jpg or .jpeg (or any other camera capture filenames). No title or identification of the maker shall be written anywhere on the face of an image.
Each photograph can be submitted in only one of the competition's themes. We kindly ask participants to choose the most suitable theme for their entry.

The photographs of participants with the application are submitted in these ways:
- uploading thought our website
- by e-mail: [email protected]

The judging will be done by remote online judging. All judges will be using equipment capable of displaying images at 100% of the image resolution. Judges will be using color calibrated equipment. Target Range will be max 30%.

By entering this contest, you are explicitly consenting to the personal details you have supplied, including physical addresses, email addresses, being held, processed and used by the contest organizers for purposes associated with this contest. You also explicitly consent to such information being sent to organizations that have accorded official recognition, patronage or accreditation to this contest. You acknowledge, agree and accept that by entering this contest, your participation status which includes your first and last name, name of the country used during registration at the contest, number of sections entered and number of photos entered in those sections will be made public in a published status list and that the results of your entry shall be made public in exhibition gallery, exhibition catalog.

If the contest determines before, during, or after the judging that an entrant has submitted entries where one or more images fail to comply with these Conditions of Entry, including the stated definitions, the contest reserves the right and discretion to delete the entry from the exhibition and void any or all acceptances or awards. Fees may be forfeited in these circumstances.
In order to ensure that images comply with the Conditions of Entry and definitions, the exhibition may carry out checks on the images to make sure that:
a) the images are the original work of the entrant and
b) the images comply with the rules and definitions as set out in these Conditions of Entry.
This may involve asking the entrant to provide originally captured image(s), with EXIF data intact, by a set deadline. The questioned image(s) of any entrant failing to comply with such a request for the original image(s) may be considered in breach of these Conditions of Entry, and declined.
Entrants automatically agree to these terms by the act of entering the Exhibition.

• Normante Ribokaite; (Lithuania)
• Vladimir Jovanovski; (North Macedonia)
• Oliver Vukmirovic; (Bosnia And Herzegovina)

The judges of the event will present the following awards:
•12 x IAAP Gold Certificate,
•12 x IAAP Silver Certificate,
•12 x IAAP Bronze Certificate,
•36 x IAAP HM Certificate,
•12 x PBA Black Medal Certificate,
•36 x PBA Digital HM,
•12 x CLUB Digital Gold Medal,
•12 x CLUB Digital Silver Medal,
•12 x CLUB Digital Bronze Medal,
•36 x CLUB Digital Diploma,

Total 192 awards. The organizer reserves the right to adjust the number of awards based on the total number of entrants.
One participant cannot receive more than one award per section.

All entries shall conform to the stricter of these definitions for acceptances to be validated by all the international organizations granting recognition or patronage.

[IAAP Definition of Monochrome]
Black and white photography is an image that displays a range of shades from black to white, encompassing various tones of gray. Such an image focuses on the nuances of light, shadow, and contrast without incorporating any colors. If the entire image is toned in a single hue, it remains within the black and white category. However, if it is modified by partial toning or the addition of any color, it becomes a color work and no longer qualifies as a black and white photograph.

[IAAP Definition of Photojournalism]
A photojournalism photograph is an image that captures a moment or event in a way that tells a factual story, intended to inform and convey truth to the public. It should document real events, people, and places without staging or manipulation, ensuring the authenticity of the scene. The primary aim is to provide an accurate and unbiased representation of the subject matter, often related to news, social issues, cultural events, or significant moments in history. Ethical standards are crucial in photojournalism, prohibiting any alterations that could mislead the viewer or distort the reality of the captured moment.

[Organizers definition of Conceptual Photography]
Conceptual photography merges art and ideas, portraying abstract or symbolic themes through creative compositions. The aim of this technique is to express an idea, emotion, or narrative, offering the observer an opportunity to reflect and interpret the photograph on a deeper level.
In this competition, focus on creating photographs that carry a powerful message or idea. Your inspiration may come from philosophical questions, social issues, emotional states, or personal stories. Experimenting with symbols, colors, contrasts, and unique perspectives can further enhance the concept of your photograph.
We encourage you to think outside the box and use photography as a means of expressing your ideas and visions, inviting viewers to introspect and interpret.

[Organizers definition of Close-up Photography]
Close-up photography allows the exploration of details that are often overlooked at first glance. The goal of this technique is to get closer to the subject to emphasize its textures, shapes, and characteristics, offering the observer a new perspective.
Close-up photography focuses on getting close to the subject without specialized equipment, while macro photography uses special lenses to showcase the subject in life-size or greater magnification. Macro captures microscopic textures in detail, whereas close-up covers a broader range. This competition favors the close-up approach, emphasizing creative use of proximity and details in everyday and natural subjects.
Subjects can be diverse: nature (leaves, flowers, insects), everyday objects (cups, fabrics, books), or other interesting details.

[Organizers definition of Still Life Photography]
Still life photography provides an opportunity to bring inanimate objects to life, turning them into works of art through carefully designed composition, lighting, and perspective. The aim of this technique is to present everyday objects in a new, creative way, highlighting their colors, textures, and shapes.
In this competition, the focus is on creativity and skill in arranging and photographing objects. Still life photography offers a wide range of themes, including fruits, flowers, household items, books, or even vintage objects. Pay close attention to the choice of lighting, background, and composition to create unique and aesthetically appealing photographs.
We encourage you to experiment with different textures, colors, and plays of light and shadow to elevate ordinary objects to a higher level of artistic expression.

[Organizers definition of Culture]
Culture is the heart and soul of communities, reflecting identity, tradition, and values through art, customs, architecture, and everyday life. Photography on the theme of culture offers an opportunity to portray unique aspects of heritage, rituals, artistic expression, or local communities through the lens.
In this competition, focus on capturing moments that best represent cultural identity. This could include festivals, folk customs, traditional clothing, crafts, or architecture. Through your photographs, explore how culture connects the past and present, as well as the way it shapes communities and individuals.
Pay special attention to colors, symbolism, and emotions conveyed through cultural elements. Allow your photograph to tell a story that connects the observer with the spirit of the community.

[Organizers definition of Love]
Love is a universal theme expressed through emotions, gestures, and connections. This powerful emotion comes to life through interactions, closeness, and the support people provide to one another. Photography on the theme of love can capture candid moments that connect people and tell stories about their relationships.
In this competition, focus on showcasing love through interactions between people. Highlight moments characterized by tenderness, support, togetherness, and connection. These could be photos of friends sharing laughter, the warmth of family, or the affection of a loving couple. The idea is for each frame to reflect the essence of human relationships and emotions.

Notification cards will be sent by email.

Jovan Svorcan
Beograd, Serbia

email: [email protected]
website: www,outofconcept.art/