PREMII
OPEN COLOR [1]
FOTOGRAFII
273 fotografii primite
82 imagini acceptate · 30%
PARTICIPANȚI
69 participanți sosiți
41 participanți acceptați · 59%
IAAP Bronze Medal
IAAP Diploma
NPU Diploma
NPU Diploma
NPU Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
IAAP Gold Medal
PREMII
OPEN MONOCHROME [1]
FOTOGRAFII
273 fotografii primite
83 imagini acceptate · 30%
PARTICIPANȚI
69 participanți sosiți
47 participanți acceptați · 68%
IAAP Bronze Medal
IAAP Diploma
NPU Diploma
NPU Diploma
NPU Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
IAAP Gold Medal
PREMII
NATURE [1]
FOTOGRAFII
181 fotografii primite
54 imagini acceptate · 30%
PARTICIPANȚI
47 participanți sosiți
29 participanți acceptați · 62%
IAAP Bronze Medal
IAAP Diploma
NPU Diploma
NPU Diploma
NPU Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
IAAP Gold Medal
PREMII
PHOTOJOURNALISM [1]
FOTOGRAFII
182 fotografii primite
55 imagini acceptate · 30%
PARTICIPANȚI
46 participanți sosiți
29 participanți acceptați · 63%
IAAP Bronze Medal
IAAP Diploma
NPU Diploma
NPU Diploma
NPU Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
NATIONAL Gold Medal
PREMII
PHOTO TRAVEL [1]
FOTOGRAFII
159 fotografii primite
48 imagini acceptate · 30%
PARTICIPANȚI
41 participanți sosiți
25 participanți acceptați · 61%
IAAP Bronze Medal
IAAP Diploma
NPU Diploma
NPU Diploma
NPU Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
NATIONAL Gold Medal
PREMII
PORTRAIT (color only) [1]
FOTOGRAFII
190 fotografii primite
57 imagini acceptate · 30%
PARTICIPANȚI
51 participanți sosiți
31 participanți acceptați · 61%
IAAP Bronze Medal
IAAP Diploma
NPU Diploma
NPU Diploma
NPU Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
SALON E-Diploma
NATIONAL Gold Medal
REGULI
ORGANIZATOR
The International contest of art photography, Spring Symphony, is organized by the photo group Anastatica from Skopje, North Macedonia.
WHO ARE WE?
We are a community of passionate photographers dedicated to the exploration, celebration, and promotion of art photography. Our mission is to foster cultural exchange, inspire creativity, and contribute to the development of the photographic arts.
At Anastatica, we believe that photography is a powerful medium that transcends language barriers and cultural differences. Through our collective efforts, we aim to create a space where photographers from diverse backgrounds can come together to share their unique perspectives, stories, and artistic visions.
WHO ARE WE?
We are a community of passionate photographers dedicated to the exploration, celebration, and promotion of art photography. Our mission is to foster cultural exchange, inspire creativity, and contribute to the development of the photographic arts.
At Anastatica, we believe that photography is a powerful medium that transcends language barriers and cultural differences. Through our collective efforts, we aim to create a space where photographers from diverse backgrounds can come together to share their unique perspectives, stories, and artistic visions.
SECȚIUNI
SECTIONS
The contest is divided into six sections: All digital
A) OPEN COLOR (color only)
B) OPEN MONOCHROME (monochrome only)
C) NATURE GENERAL (color/grayscale monochrome)
D) PHOTO TRAVEL GENERAL (color/grayscale monochrome)
E) PHOTOJOURNALISM GENERAL (color/monochrome)
F) PORTRAIT (color only)
The contest is divided into six sections: All digital
A) OPEN COLOR (color only)
B) OPEN MONOCHROME (monochrome only)
C) NATURE GENERAL (color/grayscale monochrome)
D) PHOTO TRAVEL GENERAL (color/grayscale monochrome)
E) PHOTOJOURNALISM GENERAL (color/monochrome)
F) PORTRAIT (color only)
CALENDARĂ
CALENDAR
Closing date: 23 March 2025
All judging completed by: 06 April 2025
Score Reports sent by: 13 April 2025
Awards mailed by: 01 May 2025
On-line gallery posted by: 27 April 2025
Catalog posted by: 01 May 2025
Status page and website available to:06 April 2026
Closing date: 23 March 2025
All judging completed by: 06 April 2025
Score Reports sent by: 13 April 2025
Awards mailed by: 01 May 2025
On-line gallery posted by: 27 April 2025
Catalog posted by: 01 May 2025
Status page and website available to:06 April 2026
PLATĂ
ENTRY FEE
Depending on the number of sections a participant enters, the entry fee cost as follows:
There is 30% discount on previous fee. The fees were: 18 € for any 1 - 3 sections; 22 € for any 4 - 6 sections; and now:
• 12 € for any 1 - 3 sections;
• 15 € for any 4 - 6 sections;
Payment of the entry fee can be made in the following ways:
• Through our website: https://spring.photoanastatica.com/
• By PayPal account: [email protected]
Images from participants who do not pay the entry fee will not be taken into consideration.
Depending on the number of sections a participant enters, the entry fee cost as follows:
There is 30% discount on previous fee. The fees were: 18 € for any 1 - 3 sections; 22 € for any 4 - 6 sections; and now:
• 12 € for any 1 - 3 sections;
• 15 € for any 4 - 6 sections;
Payment of the entry fee can be made in the following ways:
• Through our website: https://spring.photoanastatica.com/
• By PayPal account: [email protected]
Images from participants who do not pay the entry fee will not be taken into consideration.
PARTICIPARE
Image and Entry Requirements: This exhibition is open to anyone; however, an entry maybe rejected when the exhibition chair believes the entry does not conform to exhibition rules and these ES-COE. Membership in any photographic organization is not required.
Neither awards nor acceptances will be granted to any entrant who is on the PSA Penalties List for Ethics Violation. Entry fees are not refundable in these circumstances.
PSA Star Ratings: To receive proper star ratings credit from PSA, entrants must provide their names and country exactly the same way in each exhibition. Aliases are not permitted. Please contact PSA in the event of a name change or relocation to another country. Using one’s name differently in different exhibitions exposes the entrant to the risk that many of their acceptances may not be recognized in PSA Star records.
Reproduction: The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. PSA may request specific permission from entrants to reproduce entered images in its educational materials. The terms of that permission will be mutually agreed upon between the entrant and PSA except in the circumstances where the entered image is found to breach the PSA Ethics Policy. In those circumstances, the image may be reproduced by PSA without the entrant’s further permission, for educational purposes, or to illustrate serious exhibition rule violations. For those reproductions, the entrant’s name will be withheld.
Entries will not be accepted from entrants who indicate that their images may not be reproduced in materials related to the exhibition. The exhibition assumes no liability of any misuse of copyright.
Re-use of accepted images: Any image that has been accepted in this exhibition, past or present, may not be entered again in the same division star ratings class in any future instances of this exhibition. It may, of course, be entered in any other PSA recognized exhibitions but must always have the same title. Re-titling in another language is not allowed.
Entry: An entry consists of up to and including four (4) images entered by a single entrant into the same section. The same image can receive no more than a total of twenty (20) acceptances (per star path). Identical or similar Images shall not be allowed in the same section or different sections of the same exhibition as determined by the judges or exhibition chair. Similar images are those which are practically equivalent, as defined on this page: https://psa-services.org/pdf/Practical-Equivalence.pdf When a group of similar images is uploaded by the entrant, all similar images in all sections will be disqualified. Be advised: while similar images may be entered in different exhibitions, these images and acceptances may be disallowed by the separate review process associated with applications for stars, diamonds and galaxies. To avoid disappointment, do not enter images that are practically equivalent.
Titles: Each image must have a unique title that relates to the content of the image. That unique title must be used for entry of that image into any and all PSA-recognized exhibitions. Titles must be 35 characters or fewer. No titles may be visible to the judges, and nothing in the image may identify the entrant. Titles may not include file extensions such as .jpg or .jpeg (or any other camera capture file names such as IMG_xxxx). Titles may not consist of personal identifiers possibly augmented by a number; and may not include words such as “untitled” or “no title.” Titles may not consist solely of numbers unless those numbers are prominently contained within the image, such as a contestant number in a race. When entering titles, exhibitors may use Latin1 or Latin2 character sets (ISO-8859-1 or ISO-8859-2) which allow diacritical marks (é, ñ, ü, ą, ę, ś, etc). While text written in non-Latin writing systems (Hanzi, Cyrillic, Arabic, Devanagari, etc) might be accepted by exhibition software, this practice is discouraged because it may yield unpredictable results in galleries, catalogs and may be rejected in Star applications.
Color and Monochrome: Color and monochrome images from the same capture that share substantial pictorial content in common will be considered the same image and must be given the same title.
Neither awards nor acceptances will be granted to any entrant who is on the PSA Penalties List for Ethics Violation. Entry fees are not refundable in these circumstances.
PSA Star Ratings: To receive proper star ratings credit from PSA, entrants must provide their names and country exactly the same way in each exhibition. Aliases are not permitted. Please contact PSA in the event of a name change or relocation to another country. Using one’s name differently in different exhibitions exposes the entrant to the risk that many of their acceptances may not be recognized in PSA Star records.
Reproduction: The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. PSA may request specific permission from entrants to reproduce entered images in its educational materials. The terms of that permission will be mutually agreed upon between the entrant and PSA except in the circumstances where the entered image is found to breach the PSA Ethics Policy. In those circumstances, the image may be reproduced by PSA without the entrant’s further permission, for educational purposes, or to illustrate serious exhibition rule violations. For those reproductions, the entrant’s name will be withheld.
Entries will not be accepted from entrants who indicate that their images may not be reproduced in materials related to the exhibition. The exhibition assumes no liability of any misuse of copyright.
Re-use of accepted images: Any image that has been accepted in this exhibition, past or present, may not be entered again in the same division star ratings class in any future instances of this exhibition. It may, of course, be entered in any other PSA recognized exhibitions but must always have the same title. Re-titling in another language is not allowed.
Entry: An entry consists of up to and including four (4) images entered by a single entrant into the same section. The same image can receive no more than a total of twenty (20) acceptances (per star path). Identical or similar Images shall not be allowed in the same section or different sections of the same exhibition as determined by the judges or exhibition chair. Similar images are those which are practically equivalent, as defined on this page: https://psa-services.org/pdf/Practical-Equivalence.pdf When a group of similar images is uploaded by the entrant, all similar images in all sections will be disqualified. Be advised: while similar images may be entered in different exhibitions, these images and acceptances may be disallowed by the separate review process associated with applications for stars, diamonds and galaxies. To avoid disappointment, do not enter images that are practically equivalent.
Titles: Each image must have a unique title that relates to the content of the image. That unique title must be used for entry of that image into any and all PSA-recognized exhibitions. Titles must be 35 characters or fewer. No titles may be visible to the judges, and nothing in the image may identify the entrant. Titles may not include file extensions such as .jpg or .jpeg (or any other camera capture file names such as IMG_xxxx). Titles may not consist of personal identifiers possibly augmented by a number; and may not include words such as “untitled” or “no title.” Titles may not consist solely of numbers unless those numbers are prominently contained within the image, such as a contestant number in a race. When entering titles, exhibitors may use Latin1 or Latin2 character sets (ISO-8859-1 or ISO-8859-2) which allow diacritical marks (é, ñ, ü, ą, ę, ś, etc). While text written in non-Latin writing systems (Hanzi, Cyrillic, Arabic, Devanagari, etc) might be accepted by exhibition software, this practice is discouraged because it may yield unpredictable results in galleries, catalogs and may be rejected in Star applications.
Color and Monochrome: Color and monochrome images from the same capture that share substantial pictorial content in common will be considered the same image and must be given the same title.
TRIMITERE
Photographs must be in JPEG format, with dimensions 1920 pixels horizontal x 1080 pixels vertical at 300, JPEG compression (if Photoshop used for export): 7-12, file size maximum 4 Mb.
The photographs of participants with the application are submitted in these ways:
- uploading thought our website: https://spring.photoanastatica.com/
- by e-mail: [email protected]
Exhibitions are not allowed to resize oversized images. In such cases the entrant is required to resubmit their entry with properly sized images.
The photographs of participants with the application are submitted in these ways:
- uploading thought our website: https://spring.photoanastatica.com/
- by e-mail: [email protected]
Exhibitions are not allowed to resize oversized images. In such cases the entrant is required to resubmit their entry with properly sized images.
IDENTIFICARE
The judging will be done by remote online judging. All judges will be using equipment capable of displaying images at exactly 100% of the image resolution. Judges will be using color calibrated equipment.
Target Range:
- The target acceptance rate will be no more than 30% in each section.
- No image may receive more than one individual award in a section, but in circuits an image may receive an award in different salon sections. Only one award can be given to an entrant in any one section.
- For sections with more than 230 images, no more than 10% of the acceptances can receive medals/awards.
Target Range:
- The target acceptance rate will be no more than 30% in each section.
- No image may receive more than one individual award in a section, but in circuits an image may receive an award in different salon sections. Only one award can be given to an entrant in any one section.
- For sections with more than 230 images, no more than 10% of the acceptances can receive medals/awards.
PROTECȚIA DATELOR
By entering this exhibition, you are explicitly consenting to the personal details you have supplied, including physical addresses, email addresses, being held, processed and used by the exhibition organizers for purposes associated with this exhibition. You also explicitly consent to such information being sent to organizations that have accorded official recognition, patronage or accreditation to this exhibition. You acknowledge, agree and accept that by entering this exhibition, your participation status which includes your first and last name, name of the country used during registration at the exhibition, number of sections entered and number of photos entered in those sections will be made public in a published status list and that the results of your entry shall be made public in exhibition gallery, exhibition catalog. You also agree and accept the policy regarding non-compliance to the rules of PSA.
ÎNCĂLCAREA REGULILOR
Image Creation and Ownership
In all sections of the exhibition, images must originate as photographs made by the entrant.
They may not incorporate identifiable images produced by anyone else (for example: clip art, replacement skies, or stock images). Images created in whole or in part by image creation software (frequently called ‘AI’
images) are not allowed. Editing or alteration of images is permitted within the limits specified in the relevant section definitions that are available here https://psa-photo.org/page/division-definitions
Any person submitting or attempting to submit a totally AI generated image that does not begin with a light capture from the maker to any Photographic Society of America exhibition, social media, event, or publication, other than for editorial purposes, shall be prohibited from PSA for a period of from 3 years to Life.
Statement on Subject Matter - applicable to all sections
The fundamental rule that must be observed at all times and applies to all sections offered in exhibitions with PSA recognition is that the welfare of living creatures is more important than any photograph. This means that practices such as baiting of subjects with a living creature and removal of birds from nests, for the purpose of obtaining a photograph, are highly unethical, and such photographs are not allowed in any exhibition with PSA recognition. Under no circumstances may a living creature be placed in a situation where it will be killed, injured or stressed for the purpose of obtaining a photograph. Images that show live creatures being fed to captive animals, birds or reptiles are not permitted under any circumstances.
There are also concerns about the use of aerial photography, drones, helicopters, low flying aircraft. These should not cause any interference with other individuals or animals which causes a disturbance in their normal activity or disrupt the way any individuals or animals interact with their environment. Entrants in PSA recognized exhibitions should comply with all relevant laws and regulations, associated with aerial photography, in the country in which the image was taken.
Entry into PSA recognized exhibitions is conditional on accepting the above policies. The images must comply with the division and section definitions listed on the PSA website and other conditions. Images that do not comply will be disqualified by the judges.
In all sections of the exhibition, images must originate as photographs made by the entrant.
They may not incorporate identifiable images produced by anyone else (for example: clip art, replacement skies, or stock images). Images created in whole or in part by image creation software (frequently called ‘AI’
images) are not allowed. Editing or alteration of images is permitted within the limits specified in the relevant section definitions that are available here https://psa-photo.org/page/division-definitions
Any person submitting or attempting to submit a totally AI generated image that does not begin with a light capture from the maker to any Photographic Society of America exhibition, social media, event, or publication, other than for editorial purposes, shall be prohibited from PSA for a period of from 3 years to Life.
Statement on Subject Matter - applicable to all sections
The fundamental rule that must be observed at all times and applies to all sections offered in exhibitions with PSA recognition is that the welfare of living creatures is more important than any photograph. This means that practices such as baiting of subjects with a living creature and removal of birds from nests, for the purpose of obtaining a photograph, are highly unethical, and such photographs are not allowed in any exhibition with PSA recognition. Under no circumstances may a living creature be placed in a situation where it will be killed, injured or stressed for the purpose of obtaining a photograph. Images that show live creatures being fed to captive animals, birds or reptiles are not permitted under any circumstances.
There are also concerns about the use of aerial photography, drones, helicopters, low flying aircraft. These should not cause any interference with other individuals or animals which causes a disturbance in their normal activity or disrupt the way any individuals or animals interact with their environment. Entrants in PSA recognized exhibitions should comply with all relevant laws and regulations, associated with aerial photography, in the country in which the image was taken.
Entry into PSA recognized exhibitions is conditional on accepting the above policies. The images must comply with the division and section definitions listed on the PSA website and other conditions. Images that do not comply will be disqualified by the judges.
JURIU
ALL THE JURY WILL JUDGE ALL THE SECTIONS.
ALEKSANDAR TOMOVSKI (MF NPU, C IAAP; NORTH MACEDONIA)
LJILJANA VRZIC (PPSA, GPU HERMES, GMABRP, HONGMPIPC; SERBIA)
BARBARA SCHMIDT (GMPSA/S, BPSA; GERMANY)
ALEKSANDAR TOMOVSKI (MF NPU, C IAAP; NORTH MACEDONIA)
LJILJANA VRZIC (PPSA, GPU HERMES, GMABRP, HONGMPIPC; SERBIA)
BARBARA SCHMIDT (GMPSA/S, BPSA; GERMANY)
PREMII
AWARDS
At the international exhibition Spring Symphony, the following awards will be presented:
3x IAAP Gold medals [1 per section A,B,C];
3x NPU Gold Medals [1 per section D,E,F]
6x IAAP Bronze Medals [1 per section];
6x IAAP Diplomas [1 per section];
18x NPU Diplomas hard copies [3 per section];
30x SALON E-Diplomas [5 per section];
The organizer reserves the right to adjust the number of awards based on the total number of entrants.
Medals will be posted. PDFs are downloadable from the website.
Note: No more than 10% of the acceptances can receive medals/awards
At the international exhibition Spring Symphony, the following awards will be presented:
3x IAAP Gold medals [1 per section A,B,C];
3x NPU Gold Medals [1 per section D,E,F]
6x IAAP Bronze Medals [1 per section];
6x IAAP Diplomas [1 per section];
18x NPU Diplomas hard copies [3 per section];
30x SALON E-Diplomas [5 per section];
The organizer reserves the right to adjust the number of awards based on the total number of entrants.
Medals will be posted. PDFs are downloadable from the website.
Note: No more than 10% of the acceptances can receive medals/awards
DEFINIȚII
PSA Color Definition
The Image category for PID color must be a color image. A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi toning or by the inclusion of spot color on a monochrome image is considered a Color Image.
PSA Monochrome Definition
An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of grey which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example, by Sepia, red, gold, etc.) A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
• Monochrome images may not be entered in color sections of PPD or PID.
Pictorial Image Division Definition
PID includes open or general subject photography. There are no limitations on subject matter or techniques used for image capture or post processing other than the restrictions described in the PSA Statements on Artificial Intelligence, Image Creation and Authorship, and Subject Matter, which apply to all divisions. These restrictions include prohibited image elements not authored by the entrant (for example textures, replacement skies from third party software, clipart or stock images).
Open sections have unrestricted subject content and may include creative images. PID theme sections must have specific definitions which must be approved by the ERD. These definitions assist both the judges and entrants.
PSA/FIAP Nature Division
Content Guidelines
Nature photography records all branches of natural history except anthropology and archaeology. This includes all aspects of the physical world, both over water and underwater.
Nature images must convey the truth of the scene. A well-informed person should be able to identify the subject of the image and be satisfied that it has been presented honestly and that no unethical practices have been used to control the subject or capture the image. Images that directly or indirectly show any human activity threatening a living organism's life or welfare are not allowed.
The most important part of a Nature image is the nature story it tells. High technical standards are expected and the image must look natural.
• Objects created by humans, and evidence of human activity, are allowed in Nature images only when they are a necessary part of the Nature story.
• Photographs of human-created hybrid plants, cultivated plants, feral animals, domesticated animals, human-created hybrid animals, and mounted or preserved zoological specimens are not allowed.
• Photographs made where the scene is natural and the animal is unharmed in a carefully managed environment, such as Zoo, rescue centers, and ethically managed natural environment farms are permitted.
• Attracting or controlling subjects through the use of food or sound for the purpose of photographing them is not allowed. Maintained situations such as provided supplemental food due to hardship caused by weather conditions or other conditions beyond the animals' control, where photography is incidental to the feeding of the animal does not fall under this provision.
• Controlling live subjects by chilling, anesthetic, or any other method of restricting natural movement for a photograph is not allowed.
• Human-made elements shall be permitted under the following circumstances:
a) When they are an integral part of the nature story, such as a songbird singing atop a fence post a manmade object used as nest material, or a weather phenomenon destroying a man-made structure.
b) When they are a small but unavoidable part of the scene, such as an unobtrusive footprint or track in the background.
c) Scientific tags, collars, and bands are specifically allowed.
When photographing at a zoo, sanctuary, or rehabilitation center, it would be construed that the photographer ensured that it’s properly accredited and conforms to best practices.
Attention is drawn to the PSA Statements on Artificial Intelligence and Subject Matter which apply to all sections.
Editing Guidelines:
Processing or editing must be limited to making the image look as close to the original scene as possible, except that conversion to grayscale monochrome is allowed.
Allowed Editing Techniques:
• Cropping, straightening and perspective correction
• Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration and lens distortion
• Global and selective adjustments such as brightness, hue, saturation and contrast to restore the appearance of the original scene
• Complete conversion of color images to grayscale monochrome
• Blending of multiple images of the same subject and combining them in camera or with software (exposure blending or focus stacking)
• Image stitching - combining multiple images with overlapping fields of view that are taken consecutively (panoramas).
Editing Techniques That Are Not Allowed:
• Removing, adding to, moving or changing any part of an image, except for cropping and straightening.
• Adding a vignette during processing
• Blurring parts of the image during processing to hide elements in the original scene
• Darkening parts of the image during processing to hide elements in the original scene
• All conversions other than to complete grayscale monochrome
• Conversion of parts of an image to monochrome, or partial toning, desaturation or over-saturation of color
Photo Travel Division Definition
A Photo Travel image is a portrayal of the real world we live in, as it is found naturally. There are no geographic limitations.
Content Guidelines:
1. If the image is predominantly or exclusively a land, sea or cityscape, these “scapes” must include characteristic and distinctive physical features, although it is not necessary that the image identify the exact location.
2. Images that predominantly or exclusively depict people and their activities must illustrate a distinctive culture of a country, region, or continent.
3. Images that predominantly or exclusively depict animal populations are allowed if the animals are in their native environment and are characteristic of that country, region, or continent.
4. applicable, must include elements depicting some of the surrounding environment to make it obvious that the image was not taken in a studio setting. Images from events or activities arranged for photography, or of subjects directed or hired for photography, are not allowed.
5. Time exposures are allowed, if they do not dominate the image as a special effect (star trails, for example, are a dominating effect).
6. Highly distorted images such as those produced by fisheye lenses are not allowed.
Editing Guidelines:
Processing or editing must be limited to making the image look as close to the original scene as possible, except that conversion to grayscale monochrome is allowed.
Allowed Editing Techniques:
• Cropping, straightening and perspective correction
• Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration and lens distortionGlobal and selective adjustments such as brightness, hue, saturation and contrast to restore the appearance of the original scene
• Complete conversion of color images to grayscale monochrome
• Blending of multiple images of the same subject and combining them in camera or with software (exposure blending or focus stacking)
• Image stitching – combining multiple images with overlapping fields of view that are taken consecutively (panoramas)
Editing Techniques That Are Not Allowed:
• Removing, adding to, moving or changing any part of an image, except for cropping and straightening.
• Adding a vignette during processing.
• Blurring parts of the image during processing to hide elements in the original scene.
• Darkening parts of the image during processing to hide elements in the original scene.
• All conversions other than to complete grayscale monochrome.
• Conversion of parts of an image to monochrome, or partial toning, desaturation or over-saturation of color.
Photojournalism Division Definition
Photojournalism Entries Are:
• images with informative content and emotional impact
• reflecting the human presence in our world
• The journalistic (story-telling) value of the image receives priority over pictorial quality
• Images that misrepresent the truth, such as those from events or activities arranged specifically for photography or of subjects directed or hired for photography, are not eligible
Editing Guidelines for PJ: Processing or editing is limited to making the image look as close to the original scene as possible, or complete conversion to monochrome.
Allowed Editing Techniques:
• Cropping, straightening and perspective correction
• Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration or lens distortion
• Global and selective adjustments such as brightness, hue, saturation and contrast to restore the integrity of the original scene.
• Several images (typically 2-4), each with a small white border, combined into a single image that depicts a progression of events or related activity.
Editing Techniques That Are Not Allowed:
• Removing, adding, moving or changing any part of an image, except for the eligible techniques
• Blurring or darkening parts of the image during processing to obscure elements in the original scene
• Partial color or partial toning
• Unnatural color, extreme saturation or desaturation
Portrait Definition PIDC (Color Only)
Portrait photography, also referred to as portraiture, is a type of photography in which the subject is one or more people and the aim is to convey something about the subject's identity, personality, or story.
The Image category for PID color must be a color image. A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi toning or by the inclusion of spot color on a monochrome image is considered a Color Image.
PSA Monochrome Definition
An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of grey which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example, by Sepia, red, gold, etc.) A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
• Monochrome images may not be entered in color sections of PPD or PID.
Pictorial Image Division Definition
PID includes open or general subject photography. There are no limitations on subject matter or techniques used for image capture or post processing other than the restrictions described in the PSA Statements on Artificial Intelligence, Image Creation and Authorship, and Subject Matter, which apply to all divisions. These restrictions include prohibited image elements not authored by the entrant (for example textures, replacement skies from third party software, clipart or stock images).
Open sections have unrestricted subject content and may include creative images. PID theme sections must have specific definitions which must be approved by the ERD. These definitions assist both the judges and entrants.
PSA/FIAP Nature Division
Content Guidelines
Nature photography records all branches of natural history except anthropology and archaeology. This includes all aspects of the physical world, both over water and underwater.
Nature images must convey the truth of the scene. A well-informed person should be able to identify the subject of the image and be satisfied that it has been presented honestly and that no unethical practices have been used to control the subject or capture the image. Images that directly or indirectly show any human activity threatening a living organism's life or welfare are not allowed.
The most important part of a Nature image is the nature story it tells. High technical standards are expected and the image must look natural.
• Objects created by humans, and evidence of human activity, are allowed in Nature images only when they are a necessary part of the Nature story.
• Photographs of human-created hybrid plants, cultivated plants, feral animals, domesticated animals, human-created hybrid animals, and mounted or preserved zoological specimens are not allowed.
• Photographs made where the scene is natural and the animal is unharmed in a carefully managed environment, such as Zoo, rescue centers, and ethically managed natural environment farms are permitted.
• Attracting or controlling subjects through the use of food or sound for the purpose of photographing them is not allowed. Maintained situations such as provided supplemental food due to hardship caused by weather conditions or other conditions beyond the animals' control, where photography is incidental to the feeding of the animal does not fall under this provision.
• Controlling live subjects by chilling, anesthetic, or any other method of restricting natural movement for a photograph is not allowed.
• Human-made elements shall be permitted under the following circumstances:
a) When they are an integral part of the nature story, such as a songbird singing atop a fence post a manmade object used as nest material, or a weather phenomenon destroying a man-made structure.
b) When they are a small but unavoidable part of the scene, such as an unobtrusive footprint or track in the background.
c) Scientific tags, collars, and bands are specifically allowed.
When photographing at a zoo, sanctuary, or rehabilitation center, it would be construed that the photographer ensured that it’s properly accredited and conforms to best practices.
Attention is drawn to the PSA Statements on Artificial Intelligence and Subject Matter which apply to all sections.
Editing Guidelines:
Processing or editing must be limited to making the image look as close to the original scene as possible, except that conversion to grayscale monochrome is allowed.
Allowed Editing Techniques:
• Cropping, straightening and perspective correction
• Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration and lens distortion
• Global and selective adjustments such as brightness, hue, saturation and contrast to restore the appearance of the original scene
• Complete conversion of color images to grayscale monochrome
• Blending of multiple images of the same subject and combining them in camera or with software (exposure blending or focus stacking)
• Image stitching - combining multiple images with overlapping fields of view that are taken consecutively (panoramas).
Editing Techniques That Are Not Allowed:
• Removing, adding to, moving or changing any part of an image, except for cropping and straightening.
• Adding a vignette during processing
• Blurring parts of the image during processing to hide elements in the original scene
• Darkening parts of the image during processing to hide elements in the original scene
• All conversions other than to complete grayscale monochrome
• Conversion of parts of an image to monochrome, or partial toning, desaturation or over-saturation of color
Photo Travel Division Definition
A Photo Travel image is a portrayal of the real world we live in, as it is found naturally. There are no geographic limitations.
Content Guidelines:
1. If the image is predominantly or exclusively a land, sea or cityscape, these “scapes” must include characteristic and distinctive physical features, although it is not necessary that the image identify the exact location.
2. Images that predominantly or exclusively depict people and their activities must illustrate a distinctive culture of a country, region, or continent.
3. Images that predominantly or exclusively depict animal populations are allowed if the animals are in their native environment and are characteristic of that country, region, or continent.
4. applicable, must include elements depicting some of the surrounding environment to make it obvious that the image was not taken in a studio setting. Images from events or activities arranged for photography, or of subjects directed or hired for photography, are not allowed.
5. Time exposures are allowed, if they do not dominate the image as a special effect (star trails, for example, are a dominating effect).
6. Highly distorted images such as those produced by fisheye lenses are not allowed.
Editing Guidelines:
Processing or editing must be limited to making the image look as close to the original scene as possible, except that conversion to grayscale monochrome is allowed.
Allowed Editing Techniques:
• Cropping, straightening and perspective correction
• Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration and lens distortionGlobal and selective adjustments such as brightness, hue, saturation and contrast to restore the appearance of the original scene
• Complete conversion of color images to grayscale monochrome
• Blending of multiple images of the same subject and combining them in camera or with software (exposure blending or focus stacking)
• Image stitching – combining multiple images with overlapping fields of view that are taken consecutively (panoramas)
Editing Techniques That Are Not Allowed:
• Removing, adding to, moving or changing any part of an image, except for cropping and straightening.
• Adding a vignette during processing.
• Blurring parts of the image during processing to hide elements in the original scene.
• Darkening parts of the image during processing to hide elements in the original scene.
• All conversions other than to complete grayscale monochrome.
• Conversion of parts of an image to monochrome, or partial toning, desaturation or over-saturation of color.
Photojournalism Division Definition
Photojournalism Entries Are:
• images with informative content and emotional impact
• reflecting the human presence in our world
• The journalistic (story-telling) value of the image receives priority over pictorial quality
• Images that misrepresent the truth, such as those from events or activities arranged specifically for photography or of subjects directed or hired for photography, are not eligible
Editing Guidelines for PJ: Processing or editing is limited to making the image look as close to the original scene as possible, or complete conversion to monochrome.
Allowed Editing Techniques:
• Cropping, straightening and perspective correction
• Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration or lens distortion
• Global and selective adjustments such as brightness, hue, saturation and contrast to restore the integrity of the original scene.
• Several images (typically 2-4), each with a small white border, combined into a single image that depicts a progression of events or related activity.
Editing Techniques That Are Not Allowed:
• Removing, adding, moving or changing any part of an image, except for the eligible techniques
• Blurring or darkening parts of the image during processing to obscure elements in the original scene
• Partial color or partial toning
• Unnatural color, extreme saturation or desaturation
Portrait Definition PIDC (Color Only)
Portrait photography, also referred to as portraiture, is a type of photography in which the subject is one or more people and the aim is to convey something about the subject's identity, personality, or story.
NOTIFICARE ȘI CATALOG
NOTIFICATION
Notification cards will be sent by email.
CATALOG
All entrants of the event (participants which submitted works and paid entry fee) will receive on-line
PDF catalog of the photo event. The organizer will take all possible care while handling the emails,
awards and catalogs, however will assume no liability for damages. It is understood that awards can
be lost in shipment to the recipients.
Notification cards will be sent by email.
CATALOG
All entrants of the event (participants which submitted works and paid entry fee) will receive on-line
PDF catalog of the photo event. The organizer will take all possible care while handling the emails,
awards and catalogs, however will assume no liability for damages. It is understood that awards can
be lost in shipment to the recipients.
CONTACT
Chair: Mr. Stefan Ilievski
(photo group Anastatica)
Oktomvriska Revolucija 48/16
1300, Kumanovo, North Macedonia
(photo group Anastatica)
Oktomvriska Revolucija 48/16
1300, Kumanovo, North Macedonia
CALENDARĂ
ultima zi
zi de jurizare
zi de raportare
livrarea catalogului
PREZENTARE GENERALĂ
participanți
75
fotografii
1258
state
35
plată
12 EUR
PREMII
premii
66
medalii
12
diplome
54
NUMĂR DE PATRONAT
IAAP
IAAP
NATIONAL
SECȚIUNI
Open Color
Open Monochrome
Nature
Photojournalism
Photo Travel
Portrait Color Only
JURIU
