NAGRADE
Open Color
FOTOGRAFIJE
368 pristigle fotografije
135 primljene fotografije · 37%
UČESNICI
93 pristigli učesnici
64 primljeni učesnici · 69%
IAAP Gold E-Certificate
IAAP Silver E-Certificate
IAAP Bronze E-Certificate
IAAP E-Certificate
IAAP Gold E-Certificate
IAAP Gold E-Certificate
PETRUS Gold E-Certificate
PETRUS Silver E-Certificate
PETRUS Bronze E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
NAGRADE
Open Monochrome
FOTOGRAFIJE
347 pristigle fotografije
123 primljene fotografije · 35%
UČESNICI
87 pristigli učesnici
59 primljeni učesnici · 68%
IAAP Gold E-Certificate
IAAP Silver E-Certificate
IAAP Bronze E-Certificate
IAAP E-Certificate
IAAP Gold E-Certificate
IAAP Gold E-Certificate
PETRUS Gold E-Certificate
PETRUS Silver E-Certificate
PETRUS Bronze E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
NAGRADE
Nature
FOTOGRAFIJE
245 pristigle fotografije
80 primljene fotografije · 33%
UČESNICI
63 pristigli učesnici
35 primljeni učesnici · 56%
IAAP Gold E-Certificate
IAAP Silver E-Certificate
IAAP Bronze E-Certificate
IAAP E-Certificate
IAAP Gold E-Certificate
IAAP Gold E-Certificate
PETRUS Gold E-Certificate
PETRUS Silver E-Certificate
PETRUS Bronze E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
NAGRADE
Photojournalism
FOTOGRAFIJE
207 pristigle fotografije
69 primljene fotografije · 33%
UČESNICI
52 pristigli učesnici
35 primljeni učesnici · 67%
IAAP Gold E-Certificate
IAAP Silver E-Certificate
IAAP Bronze E-Certificate
IAAP E-Certificate
IAAP Gold E-Certificate
IAAP Gold E-Certificate
PETRUS Gold E-Certificate
PETRUS Silver E-Certificate
PETRUS Bronze E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
NAGRADE
Shadows
FOTOGRAFIJE
213 pristigle fotografije
91 primljene fotografije · 43%
UČESNICI
54 pristigli učesnici
41 primljeni učesnici · 76%
IAAP Gold E-Certificate
IAAP Silver E-Certificate
IAAP Bronze E-Certificate
IAAP E-Certificate
IAAP Gold E-Certificate
IAAP Gold E-Certificate
PETRUS Gold E-Certificate
PETRUS Silver E-Certificate
PETRUS Bronze E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
NAGRADE
Portrait
FOTOGRAFIJE
272 pristigle fotografije
117 primljene fotografije · 43%
UČESNICI
69 pristigli učesnici
52 primljeni učesnici · 75%
IAAP Gold E-Certificate
IAAP Silver E-Certificate
IAAP Bronze E-Certificate
IAAP E-Certificate
IAAP Gold E-Certificate
IAAP Gold E-Certificate
PETRUS Gold E-Certificate
PETRUS Silver E-Certificate
PETRUS Bronze E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
NAGRADE
Life
FOTOGRAFIJE
209 pristigle fotografije
72 primljene fotografije · 34%
UČESNICI
53 pristigli učesnici
32 primljeni učesnici · 60%
IAAP Gold E-Certificate
IAAP Silver E-Certificate
IAAP Bronze E-Certificate
IAAP E-Certificate
IAAP Gold E-Certificate
IAAP Gold E-Certificate
PETRUS Gold E-Certificate
PETRUS Silver E-Certificate
PETRUS Bronze E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
NAGRADE
Streets
FOTOGRAFIJE
254 pristigle fotografije
95 primljene fotografije · 37%
UČESNICI
65 pristigli učesnici
46 primljeni učesnici · 71%
IAAP Gold E-Certificate
IAAP Silver E-Certificate
IAAP Bronze E-Certificate
IAAP E-Certificate
IAAP Gold E-Certificate
IAAP Gold E-Certificate
PETRUS Gold E-Certificate
PETRUS Silver E-Certificate
PETRUS Bronze E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
NAGRADE
Water
FOTOGRAFIJE
201 pristigle fotografije
84 primljene fotografije · 42%
UČESNICI
51 pristigli učesnici
41 primljeni učesnici · 80%
IAAP Gold E-Certificate
IAAP Silver E-Certificate
IAAP Bronze E-Certificate
IAAP E-Certificate
IAAP Gold E-Certificate
IAAP Gold E-Certificate
PETRUS Gold E-Certificate
PETRUS Silver E-Certificate
PETRUS Bronze E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
PETRUS E-Certificate
PRAVILA
ORGANIZATOR
PETRUS is international contest of art photography, organized by photo group Art Team from Paracin, Serbia.
SEKCIJE
The contest is divided into the following sections:
• Open Color
• Open Monochrome
• Nature
• Photojournalism
• Shadows
• Portrait
• Life
• Streets
• Water
• Open Color
• Open Monochrome
• Nature
• Photojournalism
• Shadows
• Portrait
• Life
• Streets
• Water
KALENDAR
Closing date: July 27 2025
Judging date: August 10 2025
Notification date: August 17 2025
Delivery date: September 16 2025
Delivery date: September 28 2025
Gallery publish date: September 28 2025
Judging date: August 10 2025
Notification date: August 17 2025
Delivery date: September 16 2025
Delivery date: September 28 2025
Gallery publish date: September 28 2025
KOTIZACIJA
The entry fee depends on the number of sections the participant enters. The fees are as follows:
• 1-3 sections = 5 EUR
• 4-6 sections = 10 EUR
• 7-9 sections = 15 EUR
The entry fee can be paid in the following ways:
• through our website: https://photogroupartteam.com/petrus/
• PAYPAL ACCOUNT: [email protected]
Images from participants who have not paid the entry fee will not be considered.
• 1-3 sections = 5 EUR
• 4-6 sections = 10 EUR
• 7-9 sections = 15 EUR
The entry fee can be paid in the following ways:
• through our website: https://photogroupartteam.com/petrus/
• PAYPAL ACCOUNT: [email protected]
Images from participants who have not paid the entry fee will not be considered.
UČEŠĆE
IMAGE AND ENTRY REQUIREMENTS:
This exhibition is open to anyone; however, an entry may be rejected when the Sponsor or the Exhibition Organizers, in their reasonable discretion, believes the entry does not conform to exhibition rules and these ES-COE. Membership in any photographic organization is not required.
Entries will not be accepted from any entrant who is on the PSA Penalties List for Ethics Violation. Entry fees are not refundable in these circumstances.
Image creation and ownership
In all sections of the exhibition, images must originate as photographs made by the entrant. They may not incorporate identifiable images produced by anyone else (for example: clip art, replacement skies, or stock images). Images created in whole or in part by image creation software (frequently called ‘AI images) are not allowed. Editing or alteration of images is permitted within the limits specified in the relevant section definitions that are available here https://psa-photo.org/page/division-definitions
Any person submitting or attempting to submit a totally AI generated image that does not begin with a light capture from the maker, from any Photographic Society of America exhibition, social media, event, or publication, other than for editorial purposes, shall be prohibited from PSA for a period of from 3 years to life.
PSA Star Ratings: To receive proper Star ratings credit from PSA, entrants must provide their names and country exactly the same way in each exhibition. Aliases are not permitted. Please contact PSA in the event of name changes or relocating to another country. Using ones name differently in different exhibition exposes the entrant to the risk that many of their acceptances may not be recognized by PSA Star Ratings.
Reproduction: The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. The Photographic Society of America (PSA) may request specific permission from entrants to reproduce entered images in its educational materials. The terms of that permission will be mutually agreed between the entrant and PSA except in the circumstances where the entered image is found to breach the PSA Ethics Policy. In those circumstances the image may be reproduced by PSA, without the entrants further permission, for educational purposes to illustrate serious exhibition rule violations. For those reproductions, the entrants name will be withheld.
Entries will not be accepted from entrants who indicate that their images may not be reproduced in materials related to the exhibition. The exhibition assumes no liability of any misuse of copyright
Re-use of accepted images: Any image that has been accepted in this exhibition, past or present, may not be entered again in the same Division Star Ratings Class in any future instances of this exhibition. It may, of course, be entered in any other PSA recognised exhibitions but must always have the same title. Re-titling in another language is not allowed.
Entry: An Entry consists of, up to and including, four (4) images entered by a single entrant into the same Section. An entrant may only enter a specific Section once. Entrants may not enter identical or similar images into the same section or different sections of the same exhibition. Similar is defined as almost identical in subject, composition, props, lighting, or technique so that a reasonable person viewing the entries together would decide the entrant has duplicated the previous image except for minor changes.
Titles: Each image must have a unique title that relates to the content of the image. That unique title must be used for entry of that image or of an identical Image into any and all PSA-Recognized exhibitions. Titles must be 35 characters or fewer. No titles may be visible to the judges, and nothing in the image may identify the entrant. Titles may not include file extensions such as .jpg or .jpeg (or any other camera capture filenames such as IMG 471). Titles may not consist of personal identifiers possibly augmented by a number; or include words such as “untitled” or “no title”. Titles may not consist solely of numbers unless those numbers are prominently contained within the image, such as a contestant number in a race.
Color and Monochrome:
Color and Monochrome images from the same capture that share substantial pictorial content in common will be considered the same image and must be given the same title.
The Exhibition will be conducted in accordance with the rules of the PSA
An entrants images will not be presented to the judges consecutively. An entrants four images will be distributed throughout four rounds of judging in that section. Distribution of images will be in the same round order as submitted by the entrant. At no stage will a judge be able to view all the entrants images together.
This exhibition is open to anyone; however, an entry may be rejected when the Sponsor or the Exhibition Organizers, in their reasonable discretion, believes the entry does not conform to exhibition rules and these ES-COE. Membership in any photographic organization is not required.
Entries will not be accepted from any entrant who is on the PSA Penalties List for Ethics Violation. Entry fees are not refundable in these circumstances.
Image creation and ownership
In all sections of the exhibition, images must originate as photographs made by the entrant. They may not incorporate identifiable images produced by anyone else (for example: clip art, replacement skies, or stock images). Images created in whole or in part by image creation software (frequently called ‘AI images) are not allowed. Editing or alteration of images is permitted within the limits specified in the relevant section definitions that are available here https://psa-photo.org/page/division-definitions
Any person submitting or attempting to submit a totally AI generated image that does not begin with a light capture from the maker, from any Photographic Society of America exhibition, social media, event, or publication, other than for editorial purposes, shall be prohibited from PSA for a period of from 3 years to life.
PSA Star Ratings: To receive proper Star ratings credit from PSA, entrants must provide their names and country exactly the same way in each exhibition. Aliases are not permitted. Please contact PSA in the event of name changes or relocating to another country. Using ones name differently in different exhibition exposes the entrant to the risk that many of their acceptances may not be recognized by PSA Star Ratings.
Reproduction: The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. The Photographic Society of America (PSA) may request specific permission from entrants to reproduce entered images in its educational materials. The terms of that permission will be mutually agreed between the entrant and PSA except in the circumstances where the entered image is found to breach the PSA Ethics Policy. In those circumstances the image may be reproduced by PSA, without the entrants further permission, for educational purposes to illustrate serious exhibition rule violations. For those reproductions, the entrants name will be withheld.
Entries will not be accepted from entrants who indicate that their images may not be reproduced in materials related to the exhibition. The exhibition assumes no liability of any misuse of copyright
Re-use of accepted images: Any image that has been accepted in this exhibition, past or present, may not be entered again in the same Division Star Ratings Class in any future instances of this exhibition. It may, of course, be entered in any other PSA recognised exhibitions but must always have the same title. Re-titling in another language is not allowed.
Entry: An Entry consists of, up to and including, four (4) images entered by a single entrant into the same Section. An entrant may only enter a specific Section once. Entrants may not enter identical or similar images into the same section or different sections of the same exhibition. Similar is defined as almost identical in subject, composition, props, lighting, or technique so that a reasonable person viewing the entries together would decide the entrant has duplicated the previous image except for minor changes.
Titles: Each image must have a unique title that relates to the content of the image. That unique title must be used for entry of that image or of an identical Image into any and all PSA-Recognized exhibitions. Titles must be 35 characters or fewer. No titles may be visible to the judges, and nothing in the image may identify the entrant. Titles may not include file extensions such as .jpg or .jpeg (or any other camera capture filenames such as IMG 471). Titles may not consist of personal identifiers possibly augmented by a number; or include words such as “untitled” or “no title”. Titles may not consist solely of numbers unless those numbers are prominently contained within the image, such as a contestant number in a race.
Color and Monochrome:
Color and Monochrome images from the same capture that share substantial pictorial content in common will be considered the same image and must be given the same title.
The Exhibition will be conducted in accordance with the rules of the PSA
An entrants images will not be presented to the judges consecutively. An entrants four images will be distributed throughout four rounds of judging in that section. Distribution of images will be in the same round order as submitted by the entrant. At no stage will a judge be able to view all the entrants images together.
PRIJAVA
Photographs must be in JPEG format, with dimensions 1920x1080 pixels at 300, JPEG compression (if Photoshop used for export): 7-12, file size maximum 4 Mb. Each image must have a unique title. Titles must not include file extensions such as .jpg or .jpeg (or any other camera capture filenames). No title or identification of the maker shall be written anywhere on the face of an image.
The photographs of participants with the application are submitted in these ways:
- uploading thought our website: https://photogroupartteam.com/petrus/
- by e-mail: [email protected]
The photographs of participants with the application are submitted in these ways:
- uploading thought our website: https://photogroupartteam.com/petrus/
- by e-mail: [email protected]
IDENTIFIKACIJA
The judging will be done by remote online judging. All judges will be using equipment capable of displaying images at 100% of the image resolution. Judges will be using color calibrated equipment. Target Range will be max 30%.
ZAŠTITA PODATAKA
By entering this contest, you are explicitly consenting to the personal details you have supplied, including physical addresses, email addresses, being held, processed and used by the contest organizers for purposes associated with this contest. You also explicitly consent to such information being sent to organizations that have accorded official recognition, patronage or accreditation to this contest. You acknowledge, agree and accept that by entering this contest, your participation status which includes your first and last name, name of the country used during registration at the contest, number of sections entered and number of photos entered in those sections will be made public in a published status list and that the results of your entry shall be made public in exhibition gallery, exhibition catalog.
You also agree and accept the policy regarding non-compliance to the rules of PSA.
You also agree and accept the policy regarding non-compliance to the rules of PSA.
KRŠENJE PRAVILA
[PSA Non-compliance]
See the PSA Ethics Policy at https://psa-photo.org/page/ethical-practices.
See the PSA statement on Subject Matter at https://psa-photo.org/page/division-definitions
If, in the discretion of the exhibition organizer or the judges, an entrant has submitted that may fail to comply with these Conditions of Entry, they are allowed to request unedited or raw files of the submitted image. For composite images all files are required.
Exhibition organizers may verify that:
a) the images are the original work of the entrant
b) the images comply with the rules and definitions as set out in these ES-COE
Such entries may be referred to PSA for further investigation of possible ethics violations.
PSA retains the right to investigate all complaints, impose penalties if deemed necessary, void the acceptances of any image found to violate the PSA rules, include the entrants name on the list of sanctions provided to Exhibitions, and share such investigations with FIAP. Entrants automatically agree to these terms by the act of entering the Exhibition and agree to cooperate with any investigation.
If another party is processing and/or submitting images on the entrants behalf, the entrant will still be held responsible for adhering to the entry rules and will be subject to penalties for any violations to these Conditions of Entry or to PSAs Statement of Ethics.
NOTICE: When entrants fills in the Entry Form to submit an entry they will see the following feature to affirm they have read these Conditions of Entry
I hereby confirm that I have read and understood and agree to the Conditions of Entry of this exhibition. I have read and understood the PSA document to be found at https://psa-photo.org/resource/resmgr/pdf/exhibitions_/exhibition-entrants-agreemen.pdf. I am aware that PSA may apply penalties for non-compliance to these Conditions of Entry
Failure to agree will mean that the application will not proceed.
See the PSA Ethics Policy at https://psa-photo.org/page/ethical-practices.
See the PSA statement on Subject Matter at https://psa-photo.org/page/division-definitions
If, in the discretion of the exhibition organizer or the judges, an entrant has submitted that may fail to comply with these Conditions of Entry, they are allowed to request unedited or raw files of the submitted image. For composite images all files are required.
Exhibition organizers may verify that:
a) the images are the original work of the entrant
b) the images comply with the rules and definitions as set out in these ES-COE
Such entries may be referred to PSA for further investigation of possible ethics violations.
PSA retains the right to investigate all complaints, impose penalties if deemed necessary, void the acceptances of any image found to violate the PSA rules, include the entrants name on the list of sanctions provided to Exhibitions, and share such investigations with FIAP. Entrants automatically agree to these terms by the act of entering the Exhibition and agree to cooperate with any investigation.
If another party is processing and/or submitting images on the entrants behalf, the entrant will still be held responsible for adhering to the entry rules and will be subject to penalties for any violations to these Conditions of Entry or to PSAs Statement of Ethics.
NOTICE: When entrants fills in the Entry Form to submit an entry they will see the following feature to affirm they have read these Conditions of Entry
I hereby confirm that I have read and understood and agree to the Conditions of Entry of this exhibition. I have read and understood the PSA document to be found at https://psa-photo.org/resource/resmgr/pdf/exhibitions_/exhibition-entrants-agreemen.pdf. I am aware that PSA may apply penalties for non-compliance to these Conditions of Entry
Failure to agree will mean that the application will not proceed.
ŽIRI
• Bojan Petrovic; (Serbia), [sections to judge: A-B-C-D-E-F-G-H-I]
• Dimitar Risteski; (North Macedonia), [sections to judge: A-B-C-D-E-F-G-H-I]
• Aleksandar Tomulic; EFIAP (Croatia), [sections to judge: A-B-C-D-E-F-G-H-I]
• Dimitar Risteski; (North Macedonia), [sections to judge: A-B-C-D-E-F-G-H-I]
• Aleksandar Tomulic; EFIAP (Croatia), [sections to judge: A-B-C-D-E-F-G-H-I]
NAGRADE
The judges of the event will present the following awards:
27 x IAAP Gold E-Certificate, 9 x IAAP Silver E-Certificate, 9 x IAAP Bronze E-Certificate, 9 x IAAP E-Certificate,
9 x PETRUS Gold E-Certificate, 9 x PETRUS Silver E-Certificate, 9 x PETRUS Bronze E-Certificate, 27 x PETRUS E-Certificate,
Total 108 awards. The organizer reserves the right to adjust the number of awards based on the total number of entrants.
27 x IAAP Gold E-Certificate, 9 x IAAP Silver E-Certificate, 9 x IAAP Bronze E-Certificate, 9 x IAAP E-Certificate,
9 x PETRUS Gold E-Certificate, 9 x PETRUS Silver E-Certificate, 9 x PETRUS Bronze E-Certificate, 27 x PETRUS E-Certificate,
Total 108 awards. The organizer reserves the right to adjust the number of awards based on the total number of entrants.
DEFINICIJE
All entries shall conform to the stricter of these definitions for acceptances to be validated by all the international organizations granting recognition or patronage.
[Editing Guidelines]
Processing or editing must be limited to making the image look as close to the original scene as possible, except that conversion to grayscale monochrome is allowed.
Allowed editing techniques:
● Cropping, straightening and perspective correction.
● Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration and lens distortion.
● Global and selective adjustments such as brightness, hue, saturation and contrast to restore the appearance of the original scene.
● Complete conversion of color images to grayscale monochrome.
● Blending of multiple images of the same subject and combining them in camera or with software (exposure blend-ing or focus stacking);
● Image stitching – combining multiple images with overlapping fields of view that are taken consecutively (panora-mas);
Editing techniques that are not allowed:
● Removing, adding to, moving or changing any part of an image, except for cropping and straightening.
● Adding a vignette during processing.
● Blurring parts of the image during processing to hide elements in the original scene.
● Darkening parts of the image during processing to hide elements in the original scene.
● All conversions other than to complete grayscale monochrome.
● Conversion of parts of an image to monochrome, or partial toning, desaturation or over-saturation of color
[Editing Guidelines for Nature, Photojournalism and Photo Travel]
These sections require images to be truthful records, so there are limits on the amount of manipulation allowed. PSA statement of subject matter applies to all sections.
Attention is drawn to the PSA Statement on Subject Matter which applies to all sections and to the Editing Guidelines for Nature, Photojournalism and Photo Travel
[Statement on Subject Matter - applicable to all sections]
The fundamental rule that must be observed at all times and applies to all sections offered in exhibitions with PSA recognition is that the welfare of living creatures is more important than any photograph. This means that practices such as baiting of subjects with a living creature and removal of birds from nests, for the purpose of obtaining a photograph, are highly unethical, and such photographs are not allowed in any exhibition with PSA recognition. Under no circumstances may a living creature be placed in a situation where it will be killed, injured or stressed for the purpose of obtaining a photograph. Images that show live creatures being fed to captive animals, birds or reptiles are not permitted under any circumstances.
There are also concerns about the use of aerial photography, drones, helicopters, low flying aircraft. These should not cause any interference with other individuals or animals which causes a disturbance in their normal activity or disrupt the way any individuals or animals interact with their environment. Entrants in PSA recognized exhibitions should comply with all relevant laws and regulations, associated with aerial photography, in the country in which the image was taken.Entry into PSA recognized exhibitions is conditional on accepting these policies. The content of images must comply with the General Conditions and with the Division and Section definitions listed in these conditions. Images that - in the sole opinion of the judges- do not comply, will be disqualified so the entrant may be aware of the problem when considering entry into other exhibitions with PSA recognition.
[PSA Monochrome Definition]
An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of grey which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, etc.) A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
Greyscale Monochrome images may be entered for Nature, Photojournalism and Photo Travel but toned images are not permitted for these sections.
Monochrome images may not be entered in color sections of PPD or PID.
[PSA/FIAP Nature Definition]
● Nature photography records all branches of natural history except anthropology and archaeology. This includes all aspects of the physical world, both animate and inanimate, that have not been made or modified by humans.
● Nature images must convey the truth of the scene that was photographed. A well-informed person should be able to identify the subject of the image and be satisfied that it has been presented honestly and that no unethical practices have been used to control the subject or capture the image. Images that directly or indirectly show any human activity that threatens the life or welfare of a living organism are not allowed.
● The most important part of a Nature image is the nature story it tells. High technical standards are expected and the image must look natural. Adding a vignette or blurring the background during processing is not allowed.
● Objects created by humans, and evidence of human activity, are allowed in Nature images only when they are a necessary part of the Nature story.
● Photographs of human-created hybrid plants, cultivated plants, feral animals, domesticated animals, human-created hybrid animals and mounted or preserved zoological specimens are not allowed.
● Images taken with subjects under controlled conditions, such as zoos, are allowed.
● Controlling live subjects by chilling, anaesthetic or any other method of restricting natural movement for the purpose of a photograph is not allowed.
● No modification that changes the truth of a Nature image is allowed. Images may be cropped but no other technique that removes, adds or moves any part of the image is allowed.
● Techniques that remove elements added by the camera, such as dust spots, digital noise and lens flare are allowed.
● Complete conversion of colour images to greyscale monochrome is allowed. Partial conversion, toning and infrared captures or conversions are not allowed. Images of the same subject that are combined in-camera or with software by focus stacking or exposure blending are allowed. Multiple images with overlapping fields of view that are taken consecutively and combined in-camera or with software (image stitching) are allowed.
[PSA Photojournalism Definition]
● Images with informative content and emotional impact,
● Reflecting the human presence in our world.
● The journalistic (story-telling) value of the image should receive priority over pictorial quality.
● Images that misrepresent the truth, such as those from events or activities arranged specifically for photography, or of subjects directed or hired for photography, are not eligible.
● When Human Interest is specified, those images depict a person or persons in an interactive, emotional or unusual situation, excluding sports action.
[PSA Photo Travel]
● A Photo Travel image is a portrayal of the real world we live in, as it is found naturally. There are no geographic limitations.
● If the image is predominantly or exclusively a land-, sea- or cityscape, these “scapes” must include characteristic, dis-tinctive and recognizable physical features, although it is not necessary that the image identify the exact location;
● Images that predominantly or exclusively depict people and their activities must illustrate a distinctive culture of a country, region, or continent;
● Images that predominately or exclusively depict animal populations are allowed, if the animals are in their native environment and are characteristic of that country, region, or continent;
● Portraits or other close-ups of people or objects, in addition to meeting the above paragraphs as applicable, must include elements depicting some of the surrounding environment to make it obvious that the image was not taken in a studio setting;
● Images from events or activities arranged for photography, or of subjects directed or hired for photography, are NOT allowed.
● Time exposures are allowed, if they do not dominate the image as a special effect (star trails, for example, are a dominating effect).
● Highly distorted images such as those produced by fish eye lenses are NOT allowed.
[Editing Guidelines]
Processing or editing must be limited to making the image look as close to the original scene as possible, except that conversion to grayscale monochrome is allowed.
Allowed editing techniques:
● Cropping, straightening and perspective correction.
● Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration and lens distortion.
● Global and selective adjustments such as brightness, hue, saturation and contrast to restore the appearance of the original scene.
● Complete conversion of color images to grayscale monochrome.
● Blending of multiple images of the same subject and combining them in camera or with software (exposure blend-ing or focus stacking);
● Image stitching – combining multiple images with overlapping fields of view that are taken consecutively (panora-mas);
Editing techniques that are not allowed:
● Removing, adding to, moving or changing any part of an image, except for cropping and straightening.
● Adding a vignette during processing.
● Blurring parts of the image during processing to hide elements in the original scene.
● Darkening parts of the image during processing to hide elements in the original scene.
● All conversions other than to complete grayscale monochrome.
● Conversion of parts of an image to monochrome, or partial toning, desaturation or over-saturation of color
[Editing Guidelines for Nature, Photojournalism and Photo Travel]
These sections require images to be truthful records, so there are limits on the amount of manipulation allowed. PSA statement of subject matter applies to all sections.
Attention is drawn to the PSA Statement on Subject Matter which applies to all sections and to the Editing Guidelines for Nature, Photojournalism and Photo Travel
[Statement on Subject Matter - applicable to all sections]
The fundamental rule that must be observed at all times and applies to all sections offered in exhibitions with PSA recognition is that the welfare of living creatures is more important than any photograph. This means that practices such as baiting of subjects with a living creature and removal of birds from nests, for the purpose of obtaining a photograph, are highly unethical, and such photographs are not allowed in any exhibition with PSA recognition. Under no circumstances may a living creature be placed in a situation where it will be killed, injured or stressed for the purpose of obtaining a photograph. Images that show live creatures being fed to captive animals, birds or reptiles are not permitted under any circumstances.
There are also concerns about the use of aerial photography, drones, helicopters, low flying aircraft. These should not cause any interference with other individuals or animals which causes a disturbance in their normal activity or disrupt the way any individuals or animals interact with their environment. Entrants in PSA recognized exhibitions should comply with all relevant laws and regulations, associated with aerial photography, in the country in which the image was taken.Entry into PSA recognized exhibitions is conditional on accepting these policies. The content of images must comply with the General Conditions and with the Division and Section definitions listed in these conditions. Images that - in the sole opinion of the judges- do not comply, will be disqualified so the entrant may be aware of the problem when considering entry into other exhibitions with PSA recognition.
[PSA Monochrome Definition]
An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of grey which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, etc.) A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
Greyscale Monochrome images may be entered for Nature, Photojournalism and Photo Travel but toned images are not permitted for these sections.
Monochrome images may not be entered in color sections of PPD or PID.
[PSA/FIAP Nature Definition]
● Nature photography records all branches of natural history except anthropology and archaeology. This includes all aspects of the physical world, both animate and inanimate, that have not been made or modified by humans.
● Nature images must convey the truth of the scene that was photographed. A well-informed person should be able to identify the subject of the image and be satisfied that it has been presented honestly and that no unethical practices have been used to control the subject or capture the image. Images that directly or indirectly show any human activity that threatens the life or welfare of a living organism are not allowed.
● The most important part of a Nature image is the nature story it tells. High technical standards are expected and the image must look natural. Adding a vignette or blurring the background during processing is not allowed.
● Objects created by humans, and evidence of human activity, are allowed in Nature images only when they are a necessary part of the Nature story.
● Photographs of human-created hybrid plants, cultivated plants, feral animals, domesticated animals, human-created hybrid animals and mounted or preserved zoological specimens are not allowed.
● Images taken with subjects under controlled conditions, such as zoos, are allowed.
● Controlling live subjects by chilling, anaesthetic or any other method of restricting natural movement for the purpose of a photograph is not allowed.
● No modification that changes the truth of a Nature image is allowed. Images may be cropped but no other technique that removes, adds or moves any part of the image is allowed.
● Techniques that remove elements added by the camera, such as dust spots, digital noise and lens flare are allowed.
● Complete conversion of colour images to greyscale monochrome is allowed. Partial conversion, toning and infrared captures or conversions are not allowed. Images of the same subject that are combined in-camera or with software by focus stacking or exposure blending are allowed. Multiple images with overlapping fields of view that are taken consecutively and combined in-camera or with software (image stitching) are allowed.
[PSA Photojournalism Definition]
● Images with informative content and emotional impact,
● Reflecting the human presence in our world.
● The journalistic (story-telling) value of the image should receive priority over pictorial quality.
● Images that misrepresent the truth, such as those from events or activities arranged specifically for photography, or of subjects directed or hired for photography, are not eligible.
● When Human Interest is specified, those images depict a person or persons in an interactive, emotional or unusual situation, excluding sports action.
[PSA Photo Travel]
● A Photo Travel image is a portrayal of the real world we live in, as it is found naturally. There are no geographic limitations.
● If the image is predominantly or exclusively a land-, sea- or cityscape, these “scapes” must include characteristic, dis-tinctive and recognizable physical features, although it is not necessary that the image identify the exact location;
● Images that predominantly or exclusively depict people and their activities must illustrate a distinctive culture of a country, region, or continent;
● Images that predominately or exclusively depict animal populations are allowed, if the animals are in their native environment and are characteristic of that country, region, or continent;
● Portraits or other close-ups of people or objects, in addition to meeting the above paragraphs as applicable, must include elements depicting some of the surrounding environment to make it obvious that the image was not taken in a studio setting;
● Images from events or activities arranged for photography, or of subjects directed or hired for photography, are NOT allowed.
● Time exposures are allowed, if they do not dominate the image as a special effect (star trails, for example, are a dominating effect).
● Highly distorted images such as those produced by fish eye lenses are NOT allowed.
OBAVJEŠTENJE I KATALOG
Notification cards will be sent by email.
KONTAKT
Natasa Petrovic
Dostojevskog 29
35250 Paracin, Serbia
email: [email protected]
website: https://photogroupartteam.com/petrus/
software provided by IAAP: [email protected]
Dostojevskog 29
35250 Paracin, Serbia
email: [email protected]
website: https://photogroupartteam.com/petrus/
software provided by IAAP: [email protected]
KALENDAR
zatvaranje
žiriranje
obavještenje
isporuka
PREGLED
učesnici
111
fotografije
2316
države
38
kotizacija
5 EUR
članovi IAAP dobijaju 50% popust
NAGRADE
nagrade
108
PATRONATNI BROJ
IAAP
ARTTEAM
IAAP
ARTTEAM
SEKCIJE
Open Color
Open Monochrome
Nature
Photojournalism
Shadows
Portrait
Life
Streets
Water
ŽIRI
DR
Dimitar Risteski
CJ IAAP
North Macedonia
BP
Bojan Petrovic
CJ IAAP
Serbia
AT
Aleksandar Tomulic
CJ IAAP
Croatia
