AUSZEICHNUNGEN
Tirana ╡ Spezialpreise
FIAP Best author
AUSZEICHNUNGEN
Tirana ╡ OPEN COLOR
FOTOGRAFIEN
288 erhaltene Fotos
86 angenommene Bilder · 30%
TEILNEHMER
72 angekommene Teilnehmer
44 angenommene Teilnehmer · 61%
FIAP Gold Medal
FIAP Blue Ribbon
FIAP Blue Ribbon
IAAP Silver Medal
IAAP Diploma
IAAP Diploma
IAAP Diploma
AUSZEICHNUNGEN
Tirana ╡ OPEN MONOCHROME
FOTOGRAFIEN
292 erhaltene Fotos
87 angenommene Bilder · 30%
TEILNEHMER
73 angekommene Teilnehmer
50 angenommene Teilnehmer · 68%
FIAP Gold Medal
FIAP Blue Ribbon
FIAP Blue Ribbon
IAAP Silver Medal
IAAP Diploma
IAAP Diploma
IAAP Diploma
AUSZEICHNUNGEN
Tirana ╡ NATURE
FOTOGRAFIEN
237 erhaltene Fotos
72 angenommene Bilder · 30%
TEILNEHMER
60 angekommene Teilnehmer
38 angenommene Teilnehmer · 63%
FIAP Gold Medal
FIAP Blue Ribbon
FIAP Blue Ribbon
IAAP Silver Medal
IAAP Diploma
IAAP Diploma
IAAP Diploma
AUSZEICHNUNGEN
Korce ╡ Spezialpreise
FIAP Best author
AUSZEICHNUNGEN
Korce ╡ OPEN COLOR
FOTOGRAFIEN
288 erhaltene Fotos
86 angenommene Bilder · 30%
TEILNEHMER
72 angekommene Teilnehmer
47 angenommene Teilnehmer · 65%
FIAP Gold Medal
FIAP Blue Ribbon
FIAP Blue Ribbon
IAAP Silver Medal
IAAP Diploma
IAAP Diploma
IAAP Diploma
AUSZEICHNUNGEN
Korce ╡ OPEN MONOCHROME
FOTOGRAFIEN
292 erhaltene Fotos
88 angenommene Bilder · 30%
TEILNEHMER
73 angekommene Teilnehmer
51 angenommene Teilnehmer · 70%
FIAP Gold Medal
FIAP Blue Ribbon
FIAP Blue Ribbon
IAAP Silver Medal
IAAP Diploma
IAAP Diploma
IAAP Diploma
AUSZEICHNUNGEN
Korce ╡ NATURE
FOTOGRAFIEN
237 erhaltene Fotos
71 angenommene Bilder · 30%
TEILNEHMER
60 angekommene Teilnehmer
37 angenommene Teilnehmer · 62%
FIAP Gold Medal
FIAP Blue Ribbon
FIAP Blue Ribbon
IAAP Silver Medal
IAAP Diploma
IAAP Diploma
IAAP Diploma
AUSZEICHNUNGEN
Durres ╡ Spezialpreise
FIAP Best author
AUSZEICHNUNGEN
Durres ╡ OPEN COLOR
FOTOGRAFIEN
288 erhaltene Fotos
67 angenommene Bilder · 23%
TEILNEHMER
72 angekommene Teilnehmer
33 angenommene Teilnehmer · 46%
FIAP Gold Medal
FIAP Blue Ribbon
FIAP Blue Ribbon
IAAP Silver Medal
IAAP Diploma
IAAP Diploma
IAAP Diploma
AUSZEICHNUNGEN
Durres ╡ OPEN MONOCHROME
FOTOGRAFIEN
292 erhaltene Fotos
85 angenommene Bilder · 29%
TEILNEHMER
73 angekommene Teilnehmer
51 angenommene Teilnehmer · 70%
FIAP Gold Medal
FIAP Blue Ribbon
FIAP Blue Ribbon
IAAP Silver Medal
IAAP Diploma
IAAP Diploma
IAAP Diploma
AUSZEICHNUNGEN
Durres ╡ NATURE
FOTOGRAFIEN
237 erhaltene Fotos
71 angenommene Bilder · 30%
TEILNEHMER
60 angekommene Teilnehmer
36 angenommene Teilnehmer · 60%
FIAP Gold Medal
FIAP Blue Ribbon
FIAP Blue Ribbon
IAAP Silver Medal
IAAP Diploma
IAAP Diploma
IAAP Diploma
REGELN
SEKTIONEN
The contest is divided into following sections:
A. OPEN COLOR
B. OPEN MONOCHROME
C. NATURE
A. OPEN COLOR
B. OPEN MONOCHROME
C. NATURE
KALENDER
Closing date: 29 September 2024
Judging date: 9 October 2024
Notification date: 23 October 2024
Delivery date: 31 December 2024
Gallery publish date: 31 December 2024
Judging date: 9 October 2024
Notification date: 23 October 2024
Delivery date: 31 December 2024
Gallery publish date: 31 December 2024
ZAHLUNG
Depending of the number of sections participant enters, the entry fee cost as follow:
• 30 € for any 1 section;
• 35 € for any 2 sections;
• 40 € for all 3 sections.
Discount for photo clubs and photo group:
• 5-10 participants = 10%;
• 11-20 participants = 20%;
• 21-30 participants = 30%.
Payment of entry fee can be made in the following ways:
- through our web site: photofenix.com/click
Images from participants who did not pay entry fee will not be taken into consideration.
• 30 € for any 1 section;
• 35 € for any 2 sections;
• 40 € for all 3 sections.
Discount for photo clubs and photo group:
• 5-10 participants = 10%;
• 11-20 participants = 20%;
• 21-30 participants = 30%.
Payment of entry fee can be made in the following ways:
- through our web site: photofenix.com/click
Images from participants who did not pay entry fee will not be taken into consideration.
TEILNAHME
IMAGE AND ENTRY REQUIREMENTS
This exhibition is open to anyone; however, an entry may be rejected when the Sponsor or the Exhibition Organizers, in their reasonable discretion, believes the entry does not conform to exhibition rules and these Conditions of Entry. Membership in any photographic organization is not required.
Penalties: Entries will not be accepted from any entrant who has put on the PSA Penalties List for Ethics Violation. Entry fees are not refundable in these circumstances
PSA Star Ratings
To receive proper Star ratings credit from PSA, entrants must provide their names and country exactly the same way in each exhibition. Aliases are not permitted. Please contact PSA in the event of name changes or relocating to another country. Using one’s name differently in different exhibition exposes the entrant to the risk that many of their acceptances may not be recognized by PSA Star Ratings.
Image Creation
Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally.
Certification:
By virtue of submitting an image, the entrant certifies the work as his or her own. Images may not incorporate elements produced by anyone else (for example: clip art, images or art by others downloaded from the Internet). Aliases are not allowed.
Reproduction
The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. The Photographic Society of America (PSA) may request specific permission from entrants to reproduce entered images in its educational materials. The terms of that permission will be mutually agreed between the entrant and PSA except in the circumstances where the entered image is found to breach the PSA Ethics Policy. In those circumstances the image may be reproduced by PSA, without the entrant’s further permission, for educational purposes to illustrate serious exhibition rule violations. For those reproductions, the entrant’s name will be withheld.
Entries will not be accepted from entrants who indicate that their images may not be reproduced in materials related to the exhibition.” The exhibition assumes no liability of any misuse of copyright
Alteration and Computer Generation Subject to Divisional restrictions (particularly Nature, Photo Travel, and Photojournalism) images may be altered, either electronically or otherwise, by the entrant; adjustments to enhance images or creatively modify images are allowed providing the underlying photograph is retained in a way that is obvious to the viewer. Images may not be constructed entirely with a computer, and must be the sole work of the entrant
Re-use of accepted images: Any image that has been accepted in this exhibition, past or present, may not be entered again in the same Division Star Ratings Class in any future instances of this exhibition. It may, of course, be entered in any other PSA recognised exhibitions but must always have the same title. Re-titling in another language is not allowed.
Entry: An Entry consists of, up to and including, four (4) images entered by a single entrant into the same Section. An entrant may only enter a specific Section once. Entrants may not enter identical or similar images into the same section or different sections of the same exhibition.
Titles:
Each image must have a unique title that is a description of the image. That unique title must be used for entry of that image or of an identical Image into any and all PSA-Recognized exhibitions. Titles must be 35 characters or fewer. No titles may be visible to the judges, and nothing in the image may identify the entrant. Titles may not include file extensions such as .jpg or .jpeg (or any other camera capture filenames such as IMG 471). Titles may not consist of personal identifiers possibly augmented by a number; or include words such as “untitled” or “no title”. Titles may not consist solely of numbers unless those numbers are prominently contained within the image, such as a contestant number in a race.
Color and Monochrome:
Color and Monochrome images from the same capture that share substantial pictorial content in common will be considered the same image and must be given the same title.
The Exhibition will be conducted in accordance with the rules of the PSA and of FIAP
An entrant’s images will not be presented to the judges consecutively. An entrant’s four images will be distributed throughout four rounds of judging in that section. Distribution of images will be in the same round order as submitted by the entrant. At no stage will a judge be able to view all the entrant’s images together.
This exhibition is open to anyone; however, an entry may be rejected when the Sponsor or the Exhibition Organizers, in their reasonable discretion, believes the entry does not conform to exhibition rules and these Conditions of Entry. Membership in any photographic organization is not required.
Penalties: Entries will not be accepted from any entrant who has put on the PSA Penalties List for Ethics Violation. Entry fees are not refundable in these circumstances
PSA Star Ratings
To receive proper Star ratings credit from PSA, entrants must provide their names and country exactly the same way in each exhibition. Aliases are not permitted. Please contact PSA in the event of name changes or relocating to another country. Using one’s name differently in different exhibition exposes the entrant to the risk that many of their acceptances may not be recognized by PSA Star Ratings.
Image Creation
Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally.
Certification:
By virtue of submitting an image, the entrant certifies the work as his or her own. Images may not incorporate elements produced by anyone else (for example: clip art, images or art by others downloaded from the Internet). Aliases are not allowed.
Reproduction
The entrant permits the sponsors to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition. This may include low resolution posting on a website. The Photographic Society of America (PSA) may request specific permission from entrants to reproduce entered images in its educational materials. The terms of that permission will be mutually agreed between the entrant and PSA except in the circumstances where the entered image is found to breach the PSA Ethics Policy. In those circumstances the image may be reproduced by PSA, without the entrant’s further permission, for educational purposes to illustrate serious exhibition rule violations. For those reproductions, the entrant’s name will be withheld.
Entries will not be accepted from entrants who indicate that their images may not be reproduced in materials related to the exhibition.” The exhibition assumes no liability of any misuse of copyright
Alteration and Computer Generation Subject to Divisional restrictions (particularly Nature, Photo Travel, and Photojournalism) images may be altered, either electronically or otherwise, by the entrant; adjustments to enhance images or creatively modify images are allowed providing the underlying photograph is retained in a way that is obvious to the viewer. Images may not be constructed entirely with a computer, and must be the sole work of the entrant
Re-use of accepted images: Any image that has been accepted in this exhibition, past or present, may not be entered again in the same Division Star Ratings Class in any future instances of this exhibition. It may, of course, be entered in any other PSA recognised exhibitions but must always have the same title. Re-titling in another language is not allowed.
Entry: An Entry consists of, up to and including, four (4) images entered by a single entrant into the same Section. An entrant may only enter a specific Section once. Entrants may not enter identical or similar images into the same section or different sections of the same exhibition.
Titles:
Each image must have a unique title that is a description of the image. That unique title must be used for entry of that image or of an identical Image into any and all PSA-Recognized exhibitions. Titles must be 35 characters or fewer. No titles may be visible to the judges, and nothing in the image may identify the entrant. Titles may not include file extensions such as .jpg or .jpeg (or any other camera capture filenames such as IMG 471). Titles may not consist of personal identifiers possibly augmented by a number; or include words such as “untitled” or “no title”. Titles may not consist solely of numbers unless those numbers are prominently contained within the image, such as a contestant number in a race.
Color and Monochrome:
Color and Monochrome images from the same capture that share substantial pictorial content in common will be considered the same image and must be given the same title.
The Exhibition will be conducted in accordance with the rules of the PSA and of FIAP
An entrant’s images will not be presented to the judges consecutively. An entrant’s four images will be distributed throughout four rounds of judging in that section. Distribution of images will be in the same round order as submitted by the entrant. At no stage will a judge be able to view all the entrant’s images together.
EINREICHUNG
Photographs must be in JPEG format, with dimensions horizontal 1920 x vertical 1080 pixels at 300 DPI, JPEG compression (if Photoshop used for export): 7-12, file size maximum 4 Mb. No file naming is needed. Digital images cannot be altered, including resizing in either direction, by the exhibition or by the exhibition’s equipment before or during judging.
The photographs of authors with the application are submitted in these ways:
- uploading thought our web site: https://photofenix.com/click/
NOTICE: When entrants fills in the Entry Form to submit an entry they will see the following feature to affirm they have read these Conditions of Entry.
The photographs of authors with the application are submitted in these ways:
- uploading thought our web site: https://photofenix.com/click/
NOTICE: When entrants fills in the Entry Form to submit an entry they will see the following feature to affirm they have read these Conditions of Entry.
IDENTIFIKATION
JUDGING METHOD AND TARGET RANGE
The judging will be done by remote online judging. All judges will be using equipment capable of displaying images at 100% of the image resolution. Judges will be using color calibrated equipment.
The judging will be done by remote online judging. All judges will be using equipment capable of displaying images at 100% of the image resolution. Judges will be using color calibrated equipment.
JURY
TIRANA
Bekim Kupi; (Albania), [sections to judge: A-B-C]
Vladimir Jovanovski; MPSA; RISF5; GPU CR3 Hermes (North Macedonia), [sections to judge: A-B-C]
Ivan Stojanovic; (Serbia), [sections to judge: A-B-C]
KORCE
Aleksandar Tomulic; (Croatia), [sections to judge: A-B-C]
Aleksandar Stojcevski; (North Macedonia), [sections to judge: A-B-C]
Oliver Vukmirovic; (Bosnia), [sections to judge: A-B-C]
DURRES
Marjan Janevski; (North Macedonia), [sections to judge: A-B-C]
Zoran Djordjevic; (Serbia), [sections to judge: A-B-C]
Dimitar Chungovski; (North Macedonia), [sections to judge: A-B-C]
Bekim Kupi; (Albania), [sections to judge: A-B-C]
Vladimir Jovanovski; MPSA; RISF5; GPU CR3 Hermes (North Macedonia), [sections to judge: A-B-C]
Ivan Stojanovic; (Serbia), [sections to judge: A-B-C]
KORCE
Aleksandar Tomulic; (Croatia), [sections to judge: A-B-C]
Aleksandar Stojcevski; (North Macedonia), [sections to judge: A-B-C]
Oliver Vukmirovic; (Bosnia), [sections to judge: A-B-C]
DURRES
Marjan Janevski; (North Macedonia), [sections to judge: A-B-C]
Zoran Djordjevic; (Serbia), [sections to judge: A-B-C]
Dimitar Chungovski; (North Macedonia), [sections to judge: A-B-C]
AUSZEICHNUNGEN
The judges of the event will give following awards:
9 x FIAP Gold Medal, 18 x FIAP Blue Ribbon,
9 x IAAP Silver Medal, 9 x IAAP Bronze Medal, 27 x IAAP Diploma,
27 x SALON Diploma,
Total 99 awards. The organizer reserves the right to change the number of awards, depending on the total number of the entrants.
9 x FIAP Gold Medal, 18 x FIAP Blue Ribbon,
9 x IAAP Silver Medal, 9 x IAAP Bronze Medal, 27 x IAAP Diploma,
27 x SALON Diploma,
Total 99 awards. The organizer reserves the right to change the number of awards, depending on the total number of the entrants.
DEFINITIONEN
Statement on Subject Matter - applicable to all sections
The fundamental rule that must be observed at all times and applies to all sections offered in exhibitions with PSA recognition is that the welfare of living creatures is more important than any photograph. This means that practices such as baiting of subjects with a living creature and removal of birds from nests, for the purpose of obtaining a photograph, are highly unethical, and such photographs are not allowed in any exhibition with PSA recognition. Under no circumstances may a living creature be placed in a situation where it will be killed, injured or stressed for the purpose of obtaining a photograph. Images that show live creatures being fed to captive animals, birds or reptiles are not permitted under any circumstances.
There are also concerns about the use of aerial photography, drones, helicopters, low flying aircraft. These should not cause any interference with other individuals or animals which causes a disturbance in their normal activity or disrupt the way any individuals or animals interact with their environment. Entrants in PSA recognized exhibitions should comply with all relevant laws and regulations, associated with aerial photography, in the country in which the image was taken.
Entry into PSA recognized exhibitions is conditional on accepting these policies. The content of images must comply with the General Conditions and with the Division and Section definitions listed in these conditions. Images that - in the sole opinion of the judges or the Exhibition Organizers - do not comply, will be disqualified so the entrant may be aware of the problem when considering entry into other exhibitions with PSA recognition.
PSA Monochrome Definition
An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of grey which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, etc.) A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
FIAP Definition of Monochrome
A black and white work fitting from the very dark grey (black) to the very clear grey (white) is a monochrome work with the various shades of grey. A black and white work toned entirely in a single colour will remain a monochrome work able to stand in the black and white category; such a work can be reproduced in black and white in the catalogue of a salon under FIAP Patronage. On the other hand a black and white work modified by a partial toning or by the addition of one colour becomes a colour work (polychrome) to stand in the colour category; such a work requires colour reproduction in the catalogue of a salon under FIAP Patronage.
Greyscale Monochrome images may be entered for Nature, Photojournalism and Photo Travel but toned images are not permitted for these sections.
Editing Guidelines for Nature, Photojournalism and Photo Travel
These sections require images to be truthful records, so there are limits on the amount of manipulation allowed.
Editing Guidelines
Processing or editing must be limited to making the image look as close to the original scene as possible, except that conversion to grayscale monochrome is allowed.
Allowed editing techniques:
• Cropping, straightening and perspective correction.
• Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration and lens distortion.
• Global and selective adjustments such as brightness, hue, saturation and contrast to restore the appearance of the original scene.
• Complete conversion of color images to grayscale monochrome.
• Blending of multiple images of the same subject and combining them in camera or with software (exposure blending or focus stacking);
• Image stitching – combining multiple images with overlapping fields of view that are taken consecutively (panoramas);
Editing techniques that are not allowed:
• Removing, adding to, moving or changing any part of an image, except for cropping and straightening.
• Adding a vignette during processing.
• Blurring parts of the image during processing to hide elements in the original scene.
• Darkening parts of the image during processing to hide elements in the original scene.
• All conversions other than to complete grayscale monochrome.
• Conversion of parts of an image to monochrome, or partial toning, desaturation or over-saturation of color
For the purpose of this exhibition any border added to a digital file must be a single border of white or grey, no greater than 3-5 pixels in width.
PSA/FIAP Nature Definition
Nature photography records all branches of natural history except anthropology and archaeology. This includes all aspects of the physical world, both animate and inanimate, that have not been made or modified by humans.
Nature images must convey the truth of the scene that was photographed. A well-informed person should be able to identify the subject of the image and be satisfied that it has been presented honestly and that no unethical practices have been used to control the subject or capture the image. Images that directly or indirectly show any human activity that threatens the life or welfare of a living organism are not allowed.
The most important part of a Nature image is the nature story it tells. High technical standards are expected and the image must look natural. Adding a vignette or blurring the background during processing is not allowed.
Objects created by humans, and evidence of human activity, are allowed in Nature images only when they are a necessary part of the Nature story.
Photographs of human-created hybrid plants, cultivated plants, feral animals, domesticated animals, human-created hybrid animals and mounted or preserved zoological specimens are not allowed.
Images taken with subjects under controlled conditions, such as zoos, are allowed.
Controlling live subjects by chilling, anaesthetic or any other method of restricting natural movement for the purpose of a photograph is not allowed.
No modification that changes the truth of a Nature image is allowed. Images may be cropped but no other technique that removes, adds or moves any part of the image is allowed.
Techniques that remove elements added by the camera, such as dust spots, digital noise and lens flare are allowed.
Complete conversion of colour images to greyscale monochrome is allowed. Partial conversion, toning and infrared captures or conversions are not allowed.Images of the same subject that are combined in-camera or with software by focus stacking or exposure blending are allowed. Multiple images with overlapping fields of view that are taken consecutively and combined in-camera or with software (image stitching) are allowed.
Attention is drawn to the PSA Statement on Subject Matter which applies to all sections and to the Editing Guidelines for Nature, Photojournalism and Photo Travel
The fundamental rule that must be observed at all times and applies to all sections offered in exhibitions with PSA recognition is that the welfare of living creatures is more important than any photograph. This means that practices such as baiting of subjects with a living creature and removal of birds from nests, for the purpose of obtaining a photograph, are highly unethical, and such photographs are not allowed in any exhibition with PSA recognition. Under no circumstances may a living creature be placed in a situation where it will be killed, injured or stressed for the purpose of obtaining a photograph. Images that show live creatures being fed to captive animals, birds or reptiles are not permitted under any circumstances.
There are also concerns about the use of aerial photography, drones, helicopters, low flying aircraft. These should not cause any interference with other individuals or animals which causes a disturbance in their normal activity or disrupt the way any individuals or animals interact with their environment. Entrants in PSA recognized exhibitions should comply with all relevant laws and regulations, associated with aerial photography, in the country in which the image was taken.
Entry into PSA recognized exhibitions is conditional on accepting these policies. The content of images must comply with the General Conditions and with the Division and Section definitions listed in these conditions. Images that - in the sole opinion of the judges or the Exhibition Organizers - do not comply, will be disqualified so the entrant may be aware of the problem when considering entry into other exhibitions with PSA recognition.
PSA Monochrome Definition
An image is considered to be Monochrome only if it gives the impression of having no color (i.e. contains only shades of grey which can include pure black and pure white) OR it gives the impression of being a greyscale image that has been toned in one color across the entire image. (For example by Sepia, red, gold, etc.) A greyscale or multi-colored image modified or giving the impression of having been modified by partial toning, multi-toning or by the inclusion of spot coloring does not meet the definition of monochrome and shall be classified as a Color Work.
FIAP Definition of Monochrome
A black and white work fitting from the very dark grey (black) to the very clear grey (white) is a monochrome work with the various shades of grey. A black and white work toned entirely in a single colour will remain a monochrome work able to stand in the black and white category; such a work can be reproduced in black and white in the catalogue of a salon under FIAP Patronage. On the other hand a black and white work modified by a partial toning or by the addition of one colour becomes a colour work (polychrome) to stand in the colour category; such a work requires colour reproduction in the catalogue of a salon under FIAP Patronage.
Greyscale Monochrome images may be entered for Nature, Photojournalism and Photo Travel but toned images are not permitted for these sections.
Editing Guidelines for Nature, Photojournalism and Photo Travel
These sections require images to be truthful records, so there are limits on the amount of manipulation allowed.
Editing Guidelines
Processing or editing must be limited to making the image look as close to the original scene as possible, except that conversion to grayscale monochrome is allowed.
Allowed editing techniques:
• Cropping, straightening and perspective correction.
• Removal or correction of elements added by the camera or lens, such as dust spots, noise, chromatic aberration and lens distortion.
• Global and selective adjustments such as brightness, hue, saturation and contrast to restore the appearance of the original scene.
• Complete conversion of color images to grayscale monochrome.
• Blending of multiple images of the same subject and combining them in camera or with software (exposure blending or focus stacking);
• Image stitching – combining multiple images with overlapping fields of view that are taken consecutively (panoramas);
Editing techniques that are not allowed:
• Removing, adding to, moving or changing any part of an image, except for cropping and straightening.
• Adding a vignette during processing.
• Blurring parts of the image during processing to hide elements in the original scene.
• Darkening parts of the image during processing to hide elements in the original scene.
• All conversions other than to complete grayscale monochrome.
• Conversion of parts of an image to monochrome, or partial toning, desaturation or over-saturation of color
For the purpose of this exhibition any border added to a digital file must be a single border of white or grey, no greater than 3-5 pixels in width.
PSA/FIAP Nature Definition
Nature photography records all branches of natural history except anthropology and archaeology. This includes all aspects of the physical world, both animate and inanimate, that have not been made or modified by humans.
Nature images must convey the truth of the scene that was photographed. A well-informed person should be able to identify the subject of the image and be satisfied that it has been presented honestly and that no unethical practices have been used to control the subject or capture the image. Images that directly or indirectly show any human activity that threatens the life or welfare of a living organism are not allowed.
The most important part of a Nature image is the nature story it tells. High technical standards are expected and the image must look natural. Adding a vignette or blurring the background during processing is not allowed.
Objects created by humans, and evidence of human activity, are allowed in Nature images only when they are a necessary part of the Nature story.
Photographs of human-created hybrid plants, cultivated plants, feral animals, domesticated animals, human-created hybrid animals and mounted or preserved zoological specimens are not allowed.
Images taken with subjects under controlled conditions, such as zoos, are allowed.
Controlling live subjects by chilling, anaesthetic or any other method of restricting natural movement for the purpose of a photograph is not allowed.
No modification that changes the truth of a Nature image is allowed. Images may be cropped but no other technique that removes, adds or moves any part of the image is allowed.
Techniques that remove elements added by the camera, such as dust spots, digital noise and lens flare are allowed.
Complete conversion of colour images to greyscale monochrome is allowed. Partial conversion, toning and infrared captures or conversions are not allowed.Images of the same subject that are combined in-camera or with software by focus stacking or exposure blending are allowed. Multiple images with overlapping fields of view that are taken consecutively and combined in-camera or with software (image stitching) are allowed.
Attention is drawn to the PSA Statement on Subject Matter which applies to all sections and to the Editing Guidelines for Nature, Photojournalism and Photo Travel
BENACHRICHTIGUNG UND KATALOG
Notification
Notification cards will be sent by email.
CATALOG
All entrants of the event (participants which submitted works and paid entry fee) will receive on-line catalog in PDF downloadable from web site by exhibitors. The organizer will take all possible care while handling the emails, awards and catalogs, however will assume no liability for damages and loses during shipment.
Notification cards will be sent by email.
CATALOG
All entrants of the event (participants which submitted works and paid entry fee) will receive on-line catalog in PDF downloadable from web site by exhibitors. The organizer will take all possible care while handling the emails, awards and catalogs, however will assume no liability for damages and loses during shipment.
KONTAKT
KALENDER
letzter Tag
Jurierungstag
Berichtstag
Kataloglieferung
ÜBERSICHT
Teilnehmer
75
Fotografien
817
Staaten
34
Zahlung
30 EUR
Alle IAAP-Mitglieder erhalten 50% Rabatt
AUSZEICHNUNGEN
Auszeichnungen
66
Medaillen
18
Diplome
45
Spezialpreise
3
ANZAHL DER SCHIRMHERRSCHAFTEN
IAAP
FIAP
FENIX
IAAP
FIAP
FENIX
SEKTIONEN
Open Color
Open Monochrome
Nature
JURY
BK
Albania
VJ
Vladimir Jovanovski
EJ IAAP
North Macedonia
IS
Ivan Stojanovic
CJ IAAP
Serbia
AT
Aleksandar Tomulic
CJ IAAP
Croatia
AS
Aleksandar Stojcevski
CJ IAAP
North Macedonia
OV
Oliver Vukmirovic
CJ IAAP
Bosnia And Herzegovina
MJ
North Macedonia
ZD
Serbia
DC
North Macedonia
